No Products in the Cart
Moon City explores the silent dialogue and underlying tension between two forces at play — the ancient pull of the Moon and the restless ambition of London's financial skyline — a quiet meditation on nature, capitalism, and the spaces in between.
Moon City is driven by a deep sense of urgency — the same urgency that shadows our lives today. Climate change, political upheaval, social unrest, and collective traumas that, instead of bringing us closer, often push us further apart, isolating each of us in our own fragile bubble. Through this work, Mollica seeks to offer a space to pause, to look up, and to reflect — a quiet reminder of forces greater than ourselves, and of the perspectives we risk losing in the noise of modern life. The book includes texts by Iain Sinclair and Brad Feuerhelm.
Step into Spring with the 2025 issue of Wort journal.
“For lovers of weeds and wildflowers; for those who honour plants as kin and those working to make change at the root."
Ishmael Claxton, author of Dead Zoo in Blue, has released a new Limited Edition book The Lioness, The Potion, and The Wardrobe - a riso printed artist book produced in an edition of 50, each including a signed A3 print.
The work emerged from an intimate collaboration between Claxton and Cliona Buckley inside her home during lockdown.
“This slim volume is Peter’s sexiest self-portrait. Read it and weep if you didn’t know him. Or read it and weep if you did that we lost him.”
— Nan Goldin
Join much-loved wildlife expert Éanna Ní Lamhna as she takes us on a trip through wildlife habitats - from bogs to beaches and woodland to grassland.
Discover how habitats work and which creatures and plants to look out for in each one, from the very rare to the most common, all brought to life with amazing illustrations by Barry Falls.
‘The tree was common motif for photographers and photographs were widely exhibited, from the earliest exhibitions such as the 1852 Society of Arts exhibition to the later society and club shows held across Britain from the 1880s. The growth of pictorialist photography espoused by Henry Peach Robinson from the end of the 1850s gathered pace from the 1870s, further reinforcing the tree as a subject for photography. Trees were largely unaffected by movement, except with full leaf canopies in wind, were central to a photograph or used as a framing device. Photography’s technical limitations had little effect on the photographer securing a successful photograph. More substantively, the tree spoke to the Victorian sense of the picturesque. Gnarled trunks and branches, changed across the seasons. It was a relationship that was integral to the landscape and spoke to a past that, by the end of the century, was changing under the modernisation of agriculture.’
Michael Pritchard
Launch 4 September 2024
Running 4-27 September 2024 at The Library Project
At The Library Project until 29th June
at The Library Project
6pm Thursday 5th June
