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Issue 8 of Amc2 features a selection of full-length portraits, some black & white and others hand-coloured, made in Chinese studios between the 1930s and the 1980s. This serendipitous reunion of 60 anonymous portraits reveals – through the dress codes and behavioural mores they present – fragments of the history of Chinese society and ideology.
"MC2 Issue 8: Quan Shen, is the most cleverly designed of AMC2’s publications to date, and pays special attention to the power of the object. One can't quite describe it as a book, though it definitely is that — it's also a small sculpture. I’ve showed Issue 8 to some friends, a few others have encountered it without introduction. The response has universally been one of confusion, curiosity and mild intimidation — most have asked for permission to touch it. In its case it stands as a small black monolith with glimmering yellow edges. Slide it from the Lucite and you encounter a fan of images, bound like a book of swatches. On each card is a portrait, a collection featuring Chinese citizens taken between the 1930s and 80s, part of the enormous photo archive amassed by Thomas Sauvin. "
- Sarah Bradley, Photo eye
Selected as one of the Photo-Eye Best Photobooks of 2013
Photographs collected and edited by Thomas Sauvin. Design by Mei Shuzhi.
The Archive of Modern Conflict is an organisation dedicated to the collection and preservation of vernacular photographs, objects, artefacts, curiosities, and ephemera. Founded in 1991, the archive began as a collection of photographs relating to war and conflict but has since expanded its remit to become the vast and thematically diverse repository it is today.
Published by Archive of Modern Conflict
Softcover
Fan sampler in a PVC box
68 pages
193 x 66 mm
ISSN 20484135