Art, Engagement, Economy: the Working Practice of Caroline Woolard proposes a politics of transparent production in the arts, whereby heated negotiations and mundane budgets are presented alongside documentation of finished gallery installations. Readers follow the behind-the-scenes work that is required to produce interdisciplinary art projects, from a commission at MoMA to a self-organised, international barter network with over 20,000 participants. With contextual analysis of the political economy of the arts, from the financial crisis of 2008 to the COVID pandemic of 2020, this book suggests that artists can bring studio-based sculptural techniques to an approach to art-making that emphasises interdisciplinary collaboration and dialogue.
Foreword by Patricia C. Phillips; introduction by Caroline Woolard; texts by D. Graham Burnett, Alison Burstein, Stamatina Gregory, Larissa Harris, Leigh Claire La Berge, Stephanie Owens, Cybele Maylone, Steven Matijcio, Sheetal Prajapati, Caitlin Rubin, Gabrielle Lavin Suzenski, and Caroline Woolard; interviews by Thyrza Nichols Goodeve and Tina Rivers Ryan.
Published by Onomatopee
170 x 240 mm