{"product_id":"tv-casualty-brad-feuerhelm","title":"TV Casualty, Brad Feuerhelm","description":"\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eHandle with gloves. Ink is not fixed and may smudge or transfer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTV Casualty\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a graphic study of the horror of nostalgia in the decline of the American Dream. On November 22nd, 1963 president John F Kennedy was gunned down by an assassin’s bullet. A new chapter in American dystopia with many unanswered questions had begun. A distempered unknown had roused and swung the cradle of America’s naïve infancy from its slumber with a painful crash to the cold floor, which would be viewed over and over in cyclical fashion via the home television.\u003c\/p\u003e\n\u003cp\u003eSeveral decades later an American punk band, The Misfits identifying with the decline of the American dream began to fashion what would soon become the “horrorpunk” moment; a rather insidious rumination on the fault line of the American unconscious. Disconcerted Totem events of American history became infused with a penchant for underclass DIY creativity and gothic aesthetics. TV culture being a fecund point of departure from the utopias promised and left unrewarded, it was capitalized on within the movement as a liminal space where the trajectories of unnerve and disjointed articulation of nightmares could infuse themselves to produce something more akin to what was the reality of new American Gothic.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTV Casualty\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eproposes a re-examination of the DIY aesthetic of the movement within the locus of screen and TV culture. Found vernacular images of President Kennedy’s funeral cortege snapped by a Polaroid camera from the T.V. screen and press images from the Camelot’s last stand are woven together in a cut up and unnerving pastiche of American fixation of the spectacle. Brad Feuerhelm, influenced by shared trauma and aesthetic values of horror has created a re-edit, a re-shuffle, and a re-examination of the guiding forces of slow decline in American culture for 2013; the 50th anniversary of “The Headshot Heard Around the World.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan lang=\"EN-US\"\u003eThe Archive of Modern Conflict is an organisation dedicated to the collection and preservation of vernacular photographs, objects, artefacts, curiosities, and ephemera. Founded in 1991, the archive began as a collection of photographs relating to war and conflict but has since expanded its remit to become the vast and thematically diverse repository it is today.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by Archive of Modern Conflict\u003cbr\u003e\u003c\/span\u003eSoftcover, riso print\u003cbr\u003e\u003cspan\u003e176 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e283 x 355 mm\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Archive of Modern Conflict","offers":[{"title":"Default Title","offer_id":52702849827147,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/TVCasualty_Cover.webp?v=1761044327","url":"https:\/\/www.thelibraryproject.ie\/it\/products\/tv-casualty-brad-feuerhelm","provider":"The Library Project","version":"1.0","type":"link"}