{"title":"Clothing","description":null,"products":[{"product_id":"over-jumper","title":"OVER Geansaí Iris ","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\n \u003cp\u003eIs \u003cspan\u003esweatshirt vegan brushed é geansaí OVER Journal, cadás cíortha fáinne sníofa 85% orgánach, poileistear athchúrsáilte 15%, fabraic nite, sueded éadrom, 280 g\/m²\u003c\/span\u003e . Déantar a phriontáil géar le dúigh uiscedhíonacha durable agus solúbtha. Coinneoidh sé fionnuar agus te tú. Tá sé ar fáil i Mion, Meánach, Mór, Breise Mór agus XX Mór fad is a mhaireann stoic.\u003c\/p\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e Tacaíonn ceannach an táirge seo le táirgeadh irise OVER, Iris chriticiúil na hÉireann ar Ghrianghrafadóireacht agus ar Chultúr Amhairc don 21ú haois. 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The publication, billed as 'The Critical Journal of Photography and Visual Culture for the 21st century', is produced with the generous support of the Arts Council of Ireland.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOVER\u003c\/em\u003e journal critically focuses on aspects often overlooked that affect the discipline, zooming out to observe the whole scene, to analyse what exactly is happening, what power relationships are at play. It is about preventing the repetition of obsolete and flawed structures, as much as highlighting the work of those who are constructively expanding what we still call Photography into new horizons. More than a portfolio magazine, it is a space for reflection on new practices, new ways of thinking.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlobal Distribution: \u003ca href=\"https:\/\/www.raandollyltd.com\/\"\u003eraandollyltd.com\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAbout Issue 4\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eOVER\u003c\/em\u003e Journal issue 4 continues to foster critical conversations around contemporary photographic practices. With contributions from artists and writers spanning six continents, the issue explores themes around representation and the evolving role of the image in shaping history and identity, articulating new representations that challenge historical legacies. Featured works include a range of topics investigating representation, from Basil Al-Rawi’s challenge of the narrative representation of Iraq and its diaspora to Tashiya de Mel’s investigation into visual history of Dutch colonisation in Sri Lanka; from Marianne Keating’s work on shared colonial and revolutionary histories of lands to Jakob Ganslmeier and Ana Zibelnik’s analysis of extremist visual language online, and from Morganna Magee’s research into the historical representation of the kangaroo providing a framework by which we can assess the treatment and narrative building on non-white bodies in visual history to Liss Fenwick’s interrogation of historical and ongoing impacts of extractive colonialist practices in Australia's Northern Territory. Issue 4 offers these and much more to excite and inspire the reader.\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eFeatured Writers \u003c\/strong\u003e\u003cbr\u003eLaura Carbonell, Richard Conway, Sharbendu De, Tashiya de Mel, Laila Abdul-Hadi Jadallah, Aidan Kelly Murphy, Laila Lund Altinbas, Morganna Magee, Ruairí McCann, Rehan Miskci, Nora O Murchú, Andrea Stultiens.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatured Artists \u003c\/strong\u003e\u003cbr\u003eBasil Al-Rawi, Alan Butler, Simone C. Niquille, Tashiya de Mel, Imane Djamil, Liss Fenwick, Jakob Ganslmeier, Souheila Ghorbel, Yasmine Hatimi, Bassam Issa Al-Sabah, Amina Kadous, Marianne Keating, Ayoung Kim, Seif Kousmate, Jennifer Mehigan, Hashim Nasr, Alex Prager, Felipe Romero Beltrán, Zohra Serri, Abdo Shanan, Aaryan Sinha, Inuuteq Storch, Rebecca Topakian, Ana Zibelnik.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCo-editors\u003c\/strong\u003e\u003cbr\u003eJulia Gelezova, Ángel Luis González Fernández, Aidan Kelly Murphy, and Erik Vroons. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCover Image\u003c\/strong\u003e\u003cbr\u003eStill from 'Uncensored Lilac' (2024), by Bassam Issa Al-Sabah and Jennifer Mehigan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBack Cover Image\u003c\/strong\u003e\u003cbr\u003eHoda Afshar, Untitled #01, from the still-photo component of the larger project 'Code Black\/Riot', made in collaboration with Vernon Ah Kee and Behrouz Boochani, 2025. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned by\u003c\/strong\u003e \u003cbr\u003eÁngel Luis González Fernández. \u003cbr\u003e\u003cbr\u003eSet in ABC Diatype and Burgess Pro.\u003cbr\u003ePrinted on Uncoated Paper 100 gsm.\u003cbr\u003eCover on Rives Design Bright White 170 gsm.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAbout Issue 5\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-description w-richtext\"\u003e\n\u003cp\u003e\u003cem\u003eOVER\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eJournal issue 5 presents a collaborative editorial project devised by four member organisations of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.futures-photography.com\/\" target=\"_blank\"\u003eFUTURES, the European Photography Platform\u003c\/a\u003e, around the theme of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMetamorphosis\u003c\/em\u003e. For this special issue, OVER Journal invited 3 guest editors from the platform to tap into the FUTURES network as well as their own. Reflections around\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMetamorphosis\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eset the scene and introduce a selection of portfolios of FUTURES Talents. 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