{"title":"Journey to the Center \u0026 Solastalgia","description":"\u003ch3\u003eA collection of publications by and\/or featuring artist Cristina de Middel and David Farrell, whose work was exhibited at the \u003ca href=\"https:\/\/image.museum\/\" title=\"The International Centre for the Image\"\u003eInternational Centre for the Image\u003c\/a\u003e, from October to December 2025.\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"before-during-after-almost-david-farrell-signed","title":"Before, During, After... Almost, David Farrell","description":"\u003cp\u003eAs part of the 1916 commemorations, the Royal Hibernian Academy approached the photographer David Farrell to consider responding to the broader global situation of that time with the war in Europe raging on the Somme. As with many projects the point of departure becomes just that and through the process of discussion and reflection a very different vision for the exhibition began to form.\u003c\/p\u003e\n\u003cp\u003eFor Farrell, the period of Irish history since the 1966’s 50th anniversary of the Rising marks the greatest period of social and political transition since the founding of the State. He sees the ‘inevitable delayed aftershock’ of the War of Independence and the Civil War, together with the isolationism associated with neutrality during the Second World War as only reaching its thaw in the late sixties.\u003c\/p\u003e\n\u003cp\u003eFarrell has mined his own archive of a quarter of a century of his photography to compile a provocative and complex suite of images. Though made in what the great American photographer Walker Evans describes as the ‘documentary style’ these images are open to metaphorical or allegorical readings well beyond their surface content.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePublished by RHA Gallery\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover, includes insert\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e216 pages\u003c\/span\u003e\u003cbr\u003e 260 x 200 mm\u003cbr\u003e ISBN 1903875811\u003c\/p\u003e","brand":"RHA Gallery","offers":[{"title":"Default Title","offer_id":4177875075103,"sku":"BDAADF","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/before_during_after_almost.jpg?v=1587558152"},{"product_id":"the-swallowing-tree-david-farrell","title":"The Swallowing Tree, David Farrell","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eDavid Farrell made his first photograph of what he would subsequently term The Swallowing Tree during the first official search for the bodies of Kevin McKee and Seamus Wright at Coghalstown Wood, Wilkinstown in 1999. These young men belonged to the Disappeared, a small group of people that had been killed and secretly buried by the IRA during the conflict in Northern Ireland. These disappearances, which occurred during the seventies and early eighties, were the result of a policy of internal policing of the Republican movement and the wider Catholic community with Kevin and Seamus being amongst the first to endure this fate in October 1972. The revelation in ’99 that this place and other locations associated with the missing people were in the south of Ireland came as a final twist – in death they had been exiled from their homeland, north of the border.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Latent Image Editions\u003cbr\u003eEdition of 500\u003cbr\u003eHardback\u003cbr\u003e230 × 200 mm\u003cbr\u003eISBN 978099281210\u003c\/p\u003e","brand":"Latent Image Editions","offers":[{"title":"Default Title","offer_id":5042871435295,"sku":"TSTDF","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/TheSwallowingTree_DavidFarrell.jpg?v=1674405241"},{"product_id":"over-journal-issue-1","title":"OVER Journal Issue 1","description":"\u003cp\u003eOVER journal is a new periodical publication and online platform that proposes its readers a more wholesome, honest, and critical observation and enjoyment of Photography. Publishing commissioned texts and artworks alongside interviews and opinion pieces, it aims to create the ideal channel for an open and global discussion about the context in which the discipline sits, as well as about the output of artists, exhibiting venues, and publishing houses.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOVER journal critically focuses on aspects often overlooked that affect the discipline, zooming out to observe the whole scene, to analyse what exactly is happening, what power relationships are at play. It is about preventing the repetition of obsolete and flawed structures, as much as highlighting the work of those who constructively are expanding what we still call Photography into new horizons. More than a portfolio magazine, it is a space for reflection on new practices, new ways of thinking, shining a light wherever needed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContributors\u003cbr\u003e\u003c\/strong\u003eThe publication, a project by \u003ca href=\"http:\/\/photoireland.org\/\" target=\"_blank\"\u003e\u003cstrong\u003ePhotoIreland\u003c\/strong\u003e\u003c\/a\u003e developed as part of the \u003cstrong\u003e\u003ca href=\"http:\/\/edu.photoireland.org\/\" target=\"_blank\"\u003eCritical Academy\u003c\/a\u003e, \u003c\/strong\u003e presents works by artists and writers that contribute to a better understanding of the present challenges, and the future opportunities of both the medium and the world we live in. Contributors include Aidan Kelly-Murphy, Alison Nordstrom, Amelie Schüle, Ángel Luis González, Anna Ehrenstein, Becks Butler, Benedetta Casagrande, David Farrell, Duncan Wooldridge, Erik Vroons, Eva Kreuger, Francesca Catastini, Garry Loughlin, Gloria Oyarzabal, Guerrilla Girls, Heather Agyepong, Hiro Tanaka, Jorg Colberg, Julia Gelezova, Marion Hislen, Mark McGuinness, Natasha Christia, Shia Conlon, Teresa Eng, Theo Ellison, Yining He, Vera Ryklova, and Yvette Monahan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWith Visual Culture and Critical Thinking at the core\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOur interest in energising a critical engagement with Photography and Visual Culture, Cultural Studies, and Critical Thinking —to collectively question the world we persistently represent to ourselves— motivated PhotoIreland since 2009 to develop a variety of short and long-term projects. Our work has manifested in a yearly Photography festival, a public resource photobook library, an Art bookshop, various publishing ventures, a print fair, Art residencies such as How to Flatten a Mountain, and a space for critical research called the Critical Academy. Adding to these, since 2015 we have gained valuable experience participating in various European Union co-funded projects. It is then not by chance that OVER journal comes into being this year.\u003c\/p\u003e\n\u003cp\u003eIt all started with a long and deep reflection on our experience over the last decade as a cultural organisation working in Ireland and abroad, founded initially by a Photography graduate to support the discipline. Running a wealth of projects since then, and discussing our experience with peers internationally, we found along the way many cases of questionable practices; these oftentimes reinforced existing power relations, nepotism, favouritism, poor governance, as much as a lack of curatorial renewal, transparency, and a proper evolution of the practice. It became apparent that there is an urgency to speak openly about these issues, and that a platform where these discussions could be held publicly is certainly important and necessary.\u003c\/p\u003e\n\u003cp\u003eOur aim is to acknowledge contemporary challenges critically, constructively, and to seek a healthier ecosystem that can support with an honest mindset what current practitioners are bringing into play.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOVER Journal was made possible with the contribution of these wonderful people: \u003c\/strong\u003eAidan Gageler, Ailbe Collins, Aisling Keavey, Alan Phelan, Andrés Pardo Rodriguez, Andreas Oetker-Kast, Anne Mullee, Aoife Shanahan, Arman Duzel, Becky Warnock, Ben Hutchinson, Bianca Fatu, Caitriona Dunnett, Clare Lymer, Clare Lyons, Clodagh Moreland, Conner Dorbin, Conor Nolan, Dara McGrath, David Kronn, David Thomas Smith, Dianna Wojciechowska, Donall Curtin, Duncan Wooldridge, Eamonn Doyle, Edward Dunne, Elise Fisher, Ellie Berry, Frank Brennan, Garrett Hayes, George Voronov, Harry Rose, Jacqui Kiely, James Cockroft, Jane Cummins, Jennifer Ricketts, John Collins, John O'Toole, Kate Nolan, Keith Shuaib, Lara Ciarabellini, Laurel Bradley, Laurence Gorman, Letizia Lopreiato, Malcolm McGettigan, Mark Kavanagh, Mark Tracy, Michael Lee, Miriam O'Connor, Mo White, Moritz Neumüller, Niamh Smith, Olga McGeough, Mandy O'Neill, Orla Fitzpatrick, Paula Nolan, Raphael Schumacher, Rodrigo Orrantia, Róisín White, Ruby Wallis, Sarah Shaw, Seán Laoide-Kemp, Sebastian Farron-Mahon, Shane Lynam, Shannon Guerrico, Sharon Murphy, Sheaneen Healy Byrne, Simon Worthington, Ste Murray, Therese Barry, Thomas Bregulla, Thomas Licek, Tommie Lehane, Yvette Monahan, and Zoe Hamill.\u003c\/p\u003e\n\u003cp\u003ePublished by PhotoIreland\u003cbr\u003e160 pages\u003cbr\u003e184 × 245 mm\u003cbr\u003eSoftcover\u003cbr\u003eISBN 9781916140417\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eGlobal Distribution: \u003ca href=\"https:\/\/www.raandollyltd.com\/\"\u003eraandollyltd.com\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"PhotoIreland","offers":[{"title":"Default Title","offer_id":40084313047229,"sku":"OJ1","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/OVERJourmalIssue1_cover.jpg?v=1595523357"},{"product_id":"david-farrell-100-views-of-contemporary-ireland","title":"David Farrell, 100 Views of Contemporary Ireland","description":"\u003cstrong\u003eDavid Farrell\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAttempts at a Successful Day, Bray, 2012\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePostcard\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/davidfarrell.org\/\"\u003edavidfarrell.org\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003csection class=\"content offset-top-0\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row product-info-outer\"\u003e\n\u003cdiv class=\"col-sm-12 col-md-12 col-lg-12\"\u003e\n\u003cdiv class=\"row content\"\u003e\n\u003cdiv class=\"tab-content tab-content--ys\"\u003e\n\u003cdiv role=\"tabpanel\" class=\"tab-pane active\" id=\"Tab1\"\u003e\n\u003cdiv itemprop=\"description\"\u003e\n\u003cp\u003ePresented as part of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/stpatricksfestival.ie\/\" target=\"_blank\"\u003eSt. Patrick's Festival\u003c\/a\u003e cultural city trail in 2020, and to mark the first decade of \u003ca href=\"http:\/\/photoireland.org\/\" target=\"_blank\"\u003ePhotoIreland\u003c\/a\u003e, The Library Project brings together 100 Views of Contemporary Ireland, a collection of photographs in the form of postcards by 100 contemporary photographers from Ireland.\u003c\/p\u003e\n\u003cp\u003eViewers will discover a different Ireland through the incisive, playful, and poignant work of these artists. Gathered in this guise, the images aim to represent the complexities and charm of a growingly diverse country that has changed beyond recognition in the last decades. One that, having achieved outstanding social and political milestones, reflects on present challenges, and aspires to an ideal future.\u003c\/p\u003e\n\u003cp\u003eThe project celebrates a discipline that has also undergone its own radical transformation in the last few years; it highlights the growing number of artists providing us with excellent work, and it underlines the role of PhotoIreland in contributing to a healthy ecosystem in Photography in Ireland.\u003c\/p\u003e\n\u003cp\u003eThe images have been kindly donated by the artists in support of The Library Project space and are available to purchase as postcards at the venue and online,\u003ca href=\"https:\/\/tlp.photoireland.org\/collections\/100-views-of-contemporary-ireland\"\u003e here.\u003c\/a\u003e PhotoIreland thanks all the participating photographers for their kind support.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"PhotoIreland","offers":[{"title":"Default Title","offer_id":31985564975194,"sku":"100DF","price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/DavidFarrell_100ViewsofContemporaryIreland.jpg?v=1674322122"},{"product_id":"full-set-of-100-views-of-contemporary-ireland-postcards","title":"Full Set of 100 Views of Contemporary Ireland Postcards","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eFull set of the 100 postcards from 100 Views of Contemporary Ireland.\u003cbr\u003eAvailable individually \u003ca href=\"https:\/\/www.thelibraryproject.ie\/collections\/100-views-of-contemporary-ireland\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003csection class=\"content offset-top-0\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row product-info-outer\"\u003e\n\u003cdiv class=\"col-sm-12 col-md-12 col-lg-12\"\u003e\n\u003cdiv class=\"row content\"\u003e\n\u003cdiv class=\"tab-content tab-content--ys\"\u003e\n\u003cdiv id=\"Tab1\" class=\"tab-pane active\" role=\"tabpanel\"\u003e\n\u003cdiv itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePresented as part of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/stpatricksfestival.ie\/\" target=\"_blank\"\u003eSt. Patrick's Festival\u003c\/a\u003e cultural city trail in 2020, and to mark the first decade of \u003ca href=\"http:\/\/photoireland.org\/\" target=\"_blank\"\u003ePhotoIreland\u003c\/a\u003e, The Library Project brings together 100 Views of Contemporary Ireland, a collection of photographs in the form of postcards by 100 contemporary photographers from Ireland.\u003c\/p\u003e\n\u003cp\u003eViewers will discover a different Ireland through the incisive, playful, and poignant work of these artists. Gathered in this guise, the images aim to represent the complexities and charm of a growingly diverse country that has changed beyond recognition in the last decades. One that, having achieved outstanding social and political milestones, reflects on present challenges, and aspires to an ideal future.\u003c\/p\u003e\n\u003cp\u003eThe project celebrates a discipline that has also undergone its own radical transformation in the last few years; it highlights the growing number of artists providing us with excellent work, and it underlines the role of PhotoIreland in contributing to a healthy ecosystem in Photography in Ireland.\u003c\/p\u003e\n\u003cp\u003eThank you to the following artists whose work you will find at 100 Views of Contemporary Ireland:\u003cspan\u003e Adrian Wojtas, Aidan Kelly, Aisling McCoy, Alan Phelan, Alisha Doody, Andrew Hetherington, Angel Luis Gonzalez, Anthony Haughey, Aoife Giles, Aoife Herrity, Aoife Shanahan, Becks Butler, Billy Kenrick, Brian Cooney, Brian Teeling, Bronwyn Andrews, Bryan Hogan, Bryony Dunne, Caitriona Dunnett, Ciaran Og Arnold, Clare Gallagher, Clare Lyons, Conor Horgan, Dara McGrath, Daragh Soden, David Farrell, David Thomas Smith, Declan Kelly, Dejan Karin, Dianne Whyte, Dominic Turner, Dorje de Burgh, Dragana Jurisic, Eamonn Doyle, Ellie Berry, Ellius Grace, Enda Bowe, Ethna O'Regan, Frank Abruzzese, Garry Loughlin, Gary Coyle, George Voronov, Gerry Blake, Gregory Dunn, Hugh O'Conor, Hugh Quigley, Ieva Baltaduonyte, Iryna Baklan, Jamin Keogh, Jane Cummins, Jeanette Lowe, Jill Quigley , Joby Hickey, Johnny Savage, Julia Gelezova, Kate Nolan, Kenneth O'Halloran, Kevin Griffin, Leanne Sullivan, Linda Brownlee, Louise Wallace, Luca Truffarelli, Malcolm McGettigan, Mandy O'Neill, Mark Duffy, Mark McGuinness, Martin Cregg, Martina Cleary, Matthew Thompson, Megan Doherty, Mella Travers, Miriam O'Connor, Moira Sweeney , Noel Bowler, Patrick Hogan, Paul Carroll, Paul Gaffney, Paula Álvarez, Peter O'Doherty, Rich Gilligan, Roisin White, Rose Comiskey, Ruby Wallis, Ruth Connolly, Ruth Medjber, Shia Conlon, Sarah Flynn, Sean Breithaupt, Sean Hillen, Shane Lynam, Simon Burch, Steven Nestor, Tommie Lehane, Trish Morrissey, Vera Ryklova, Victoria J Dean, Vukasin Nedeljkovic, Wally Cassidy, Yvette Monahan, and Zoe Hamill.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe images have been kindly donated by the artists in support of The Library Project space and are available to purchase as postcards at the venue and online. PhotoIreland thanks all the participating photographers for their kind support.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"content\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"title-with-button\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"PhotoIreland","offers":[{"title":"Default Title","offer_id":32004374659162,"sku":"100SET","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/FullSetof100ViewsofContemporaryIrelandPostcards.jpg?v=1674405623"},{"product_id":"sharkification-by-cristina-de-middel-signed","title":"Sharkification, Cristina de Middel (Signed)","description":"\u003cp\u003eSharkification is about the “favelas” and the Brazilian government’s strategy to attempt to control them during the soccer World Cup by involving armed units. It created a militarisation of the communities, where suddenly everybody becomes a suspect. The shark metaphor aims to explain the dynamics into place. “I used the comparison with a submarine world to imagine that the favelas are a coral reef where there are predators…”  When most of the photojournalists keep trying to play with feelings, Cristina de Middel uses humour, which seems to be a more intelligent way to look at things and that helps people becoming more curious.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by This Book Is True\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover, Signed\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e140 pages\u003c\/span\u003e\u003cbr\u003e160 × 230 mm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eISBN 9788569557074\u003c\/span\u003e\u003c\/p\u003e","brand":"This Book Is True","offers":[{"title":"Default Title","offer_id":39917541490877,"sku":"SCDM","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/bcffe8_d724f31f66ac4844abae83d0379e0c9b_mv2copy.png?v=1622472133"},{"product_id":"midnight-at-the-crossroads-cristina-de-middel-and-bruno-morais-signed","title":"Midnight at the Crossroads, Cristina de Middel and Bruno Morais","description":"\u003cp\u003eEsù is one of the most enigmatic entities in the cosmogony of West African religions and he crossed the Ocean hand in hand with the the slaves to land in a new world where forced labour, lack of freedom and missionaries would force a transformation that lasts until today in the global understanding of African rooted religions. Midnight at the Crossroads documents and records these transformations and adaptations from its origin in Benin to Cuba, Brazil and then Haiti. Esù starts as a totem in Benin, becomes a child in Cuba, then a young seductive man in Brazil and finally an old man in Haiti, but it is always a confusing spirit that questions your certainties and makes you doubt along the way.\u003c\/p\u003e\n\u003cp\u003eEsù is the energy for change and mutation. It is hard to define whether his influences are good or evil, but to say the least they are challenging. He is the one in charge of the communication with the other Orishas, he is in charge of the crossroads and he is the one placing obstacles on your way for you to redeem the control on your own life.\u003c\/p\u003e\n\u003cp\u003eIn order to bring some light to the obscure narrative that predominates in popular culture and that directly links African rooted religions like Umbanda, Santeria or Voodoo, to devilish energies, this project combines a documentary approach to rituals and ceremonies with visions around the myths and legends that are illustrated to provide a wider and non-linear understanding. Cristina De Middel and Bruno Morais have spent 3 years following the path of Esù and building a document that comes as a reaction to the advance of Evangelical churches accross Africa and South America that is challenging the survival of an endangered cultural heritage that adds some substantial input to the very much needed non-official version of History.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by This Book Is True\u003cbr\u003e\u003c\/span\u003eHardcover\u003cbr\u003e\u003cspan\u003e208\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003cbr\u003e180 × 250 mm\u003cbr\u003e\u003c\/p\u003e","brand":"This Book Is True","offers":[{"title":"Default Title","offer_id":39917627146429,"sku":"MATCRCDMBM","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/bcffe8_5f0547cdb0174719b6dc496d84f08565_mv2copy.png?v=1622471393"},{"product_id":"jungle-check-cristina-de-middel-and-kalev-erickson-signed","title":"Jungle Check, Cristina De Middel and Kalev Erickson (Signed)","description":"\u003cp\u003eCristina de Middel and Kalev Erickson found a bundle of old Polaroid pictures at a flea market in Mexico City. They believed that the images had all been taken by the same person in the 1970s near the Maya ruins of Tulum and they decided to go in search of the memories that these pictures held. In the heart of the Mexican jungle, the duo revives this past dissolved in Polaroid emulsion, giving rise to a new story, somewhere between reality and fiction. Printed on giant lenticulars produced traditionally on a frame in the shape of an accordion, old combines with new to question the supposed reliability of photographic archives and historical images.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by This Book Is True\u003cbr\u003e\u003c\/span\u003eHardcover, Signed by Cristina De Middel \u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003e208\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003cbr\u003e180 × 250 mm\u003cbr\u003eISBN 9788417047719\u003c\/p\u003e","brand":"This Book Is True","offers":[{"title":"Default Title","offer_id":39918021640381,"sku":"JCCDMKE","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/bcffe8_6a3a97658c314d84afc92ff3b8209135_mv2copy.png?v=1622471965"},{"product_id":"david-farrell-boy-dublin-sometime-in-the-early-nineties","title":"David Farrell, Boy, Dublin, Sometime in the Early Nineties","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cb\u003ePlease note: we only post unframed prints. For framed purchases, free Click-and-Collect is available from The Library Project and Dublin delivery only. See further shipping information below.\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003e\u003cspan\u003eSometime in the Early Nineties\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/strong\u003e\u003cstrong\u003e2022\u003cbr\u003e\u003cspan\u003ePhotography\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"32 x 23\"}' data-sheets-userformat='{\"2\":577,\"3\":{\"1\":0},\"9\":0,\"12\":0}'\u003e75 x 77.5\u003c\/span\u003e cm Framed\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eEdition of 7\u003cbr\u003e€2213\u003c\/strong\u003e\u003cstrong\u003e Framed \u003cmeta charset=\"utf-8\"\u003e (includes 13.5% VAT)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAbout the Artist\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eDavid Farrell born Dublin (1961), read Chemistry at UCD graduating with a Ph.D in 1987. He has worked independently and on communion projects with Gogo Della Luna (Gudòk). Received the European Publishers Award for Photography in 2001 for Innocent Landscapes and has published three further books, Nè vicino nè lontano. A Lugo (2007), The Swallowing Tree (2014) and Before, During, After…Almost (2016). He has exhibited internationally including Houston FotoFest 2006, on four occasions at the Festival Internazionale di Fotografia, Rome and in China in 2008 and 2010. David Farrell – Elusive Moments a documentary by Donald Taylor Black (Poolbeg Productions) was premiered at the Cork Film Festival 2008 and was broadcast on Irish Television as part of The Look of the Irish series on Irish photography. In 2009\/10 he documented his revisits to the sites of Innocent Landscapes and the ongoing renewed searches at some of these locations for those disappeared during the conflict in Northern Ireland (www.source.ie\/blog). He has been awarded the Curtin\/O’Donoghue Photography Award twice at the RHA annual exhibition in 2012 and 2016. Recent exhibitions include – Before, During, After…Almost, RHA in 2016, Post-Picturesque: Photographing Ireland, Carlton College, USA, March, 2017, A Name Unmade: Francis Ledwidge (1887-1917), Solstice Arts Centre, April, 2017 and the RHA Annual Exhibition, May, 2017.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003ePostage and Collection\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eAll postage costs for framed and unframed works are \u003cb\u003eprocessed separately following order of the print\u003c\/b\u003e. This is to allow for specific protective packaging for each individual case. After purchase, we will contact you to organise delivery and payment for delivery costs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlternatively, \u003cb\u003efree Click-and-Collect\u003c\/b\u003e is available from The Library Project at 4 Temple Bar Street, D02YK53 during opening hours.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"David Farrell","offers":[{"title":"Default Title","offer_id":43736029790422,"sku":"","price":2213.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/David_Farrell_Before_During_After..._Almost__Boy_Dublin_Sometime_in_the_Early_Nineties.jpg?v=1666784384"},{"product_id":"journey-to-the-center-cristina-de-middel","title":"Journey to the Center, Cristina de Middel (Signed)","description":"\u003cp style=\"text-align: left;\" class=\"ui header centered\" data-mce-style=\"text-align: left;\"\u003eCristina de Middel develops images that encourage reflection in the viewer. Her photographic essay \u003cem\u003eJourney to the Center\u003c\/em\u003e, which investigates phenomena related to the migration route through Mexico, has an atmosphere and symbolism inspired by Jules Verne’s famous novel \u003cem\u003eJourney to the Center of the Earth.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"ui header centered\" data-mce-style=\"text-align: left;\"\u003eWith a language that combines straight documentary photography with constructed images and archival material, the narrative becomes multi-layered.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"ui header centered\" data-mce-style=\"text-align: left;\"\u003eThe migratory route through Central America is portrayed as a heroic and daring journey. Mexico, the setting for this adventure, is presented as the fascinating and extreme country that it is.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"ui header centered\" data-mce-style=\"text-align: left;\"\u003eWith an exhibition at Rencontres d’Arles 2024 and the image of the official Arles 2024 poster:\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"ui header centered\" data-mce-style=\"text-align: left;\"\u003eCristina de Middel has been travelling for years with migrants on the train they call “the beast”, interviewing sicarios (hired killers), talking for hours with “coyotes” (clandestine smugglers) and police officers. By combining her own photographs with objects found in the desert and archive footage, she creates a multi-layered narrative.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"ui header centered\" data-mce-style=\"text-align: left;\"\u003eThe starting point is Tapachula, the Southern border of Mexico with Guatemala, and the journey ends in Felicity, a small town in California that is the officially “Center of the World”. This epic journey is punctuated by the accounts of three migrants recounting their terrible journey and commentary by the artist. An afterword by Mexican journalist, Pedro Anza, illuminates the issues at stake and the human consequences of the United States’ obsession with closing its borders.\u003c\/p\u003e\n\u003ccenter\u003e\n\u003cdiv class=\"ui list\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003ePublished by Editorial RM\u003cbr\u003eHardcover\u003cbr\u003e176 pages\u003cbr\u003e200 x 300 mm\u003cbr\u003eISBN 9788410290006\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/center\u003e","brand":"Editorial RM","offers":[{"title":"Default Title","offer_id":50861069140299,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Journeytothecenter_cover.jpg?v=1732030566"},{"product_id":"blow-photo-issue-13-surreal","title":"Blow Photo Issue 13: Surreal","description":"\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eIt is fascinating that surreal is a thing. isn’t real and unreal enough? the feeling of surreal results from a mental hiccup whereby the brain at first thinks it is perceiving reality, then in the correction experiences a queer state. we imagine surreal art works on the senses like a magic trick. you have been tricked, you know you have been tricked, and you appreciate very much that you have been tricked. the monotony of life has been broken for a moment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSurreal art is top shelf stuff that implies a level quality. the most discerning of us are drawn to it. surreal works make us feel sane by encapsulating our madness in theirs. think to your copy of ‘100 years of solitude’.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the arts, to be considered surreal isn’t just to be entered into a category like blues music, or science fiction writing. surreal is an emotion as well as a category. to say a photo is surreal is to at least admit to being moved towards that emotion.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe artists in this issue display incredibly strong and intimate work, to the point that readers will be moved, at times, to discomfort. included are cristina de middel whose interpretation of ‘my life in the bush of ghosts’ by nigerian writer amos tutuola documents an enhanced reality of one of the most notorious and iconic places in nigeria. igor pisuk, who has earned our front cover, attempts to capture ordinary everyday life in highly spiritual dream-like visions in his current series ‘deceitful reverence’. in ‘messages from the dark-room’ alexander gehring uses the darkroom as the host of a séance and the camera itself becomes the medium which reveals its own magical aura.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eBLOW Photo\u003c\/strong\u003e\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e dedicates time and a unique perspective to exploring and revealing the stories that are found when artists come together.  With many themes as their guide, \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBlow Photo\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e are compelled to share with you their deepest insights in this photographic puzzle.  Each of their artists are a truly meaningful and affecting collaborator in their greater narrative, inspiring the collectors to look closely and get lost in the intimate, engaging world of \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBLOW Photo\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/blowphoto.com\/\"\u003e\u003cstrong\u003eblowphoto.com\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cbr\u003ePublished by Blow Photo\u003cbr\u003eSoftcover\u003cbr\u003e380×290 mm\u003cbr\u003eISBN 977200933902315\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BLOW Photo","offers":[{"title":"Default Title","offer_id":51618581872971,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/blow_photo_magazine_cover_13_1000.jpg?v=1744284787"},{"product_id":"fantasy-island","title":"Fantasy Island","description":"\u003cp class=\"p1\"\u003eFantasy Island offers a comprehensive exploration of the last 50 years of Irish photography, featuring the work of 70 Irish artists. The publication takes a stripped-back approach, prioritising the strength of the imagery to produce a bold and compelling book that provides a fresh perspective on Ireland.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCurated by a generation born after the cease-fire and the Good Friday Agreement, Fantasy Island moves beyond The Troubles to explore Ireland’s cultural and social landscape in its entirety. It highlights overlooked aspects of Irish life, embodying a hopeful vision for the future while acknowledging a past shaped by violence and sorrow.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eContributors include:\u003cbr\u003e\u003c\/b\u003eAdam Patterson, Anthony O’Donoghue, Bill Kirk, Brendan Murphy, Brian Lincoln, Brian Teeling, Cáit Fahey, Chad Alexander, Ciarán Óg Arnold, Colin Aherne, Daniel Breen, Daragh Drake, David Copeland, David Farrell, David O’Mara, Dianne Whyte, Donovan Wylie, Dorje de Burgh, Eimear Lynch, Emma O’Brien, Enda Bowe, Ethna Rose O’Regan, Fiona Hackett, Frankie Quinn, Gareth McConnell, Gareth Sweeney, Gerry Balfe Smyth, Hugh Quigley, Jane Cummins, Jim Maginn, Joanne Mullin, John Minihan, Jordan Hearns, Karl Magee, Kate Nolan, Kenneth O’Halloran, Lewis Graham, Mandy O’Neill, Mark Duffy, Martin Seeds, Mary McIntyre, Matt Glover, Megan Doherty, Mervyn Smyth, Miriam O’ Connor, Niall O’Brien, Noel Bowler, Patrick O’Byrne, Paul Seawright, Peter Greene, Peter Moloney, Rich Gilligan, Richard Gosnold, Ricky Adam, Ronan McCall, Rose Comiskey, Ross McDonnell, Ruby Wallis, Samuel Laurence Cunnane, Sarah Navan, Sean Allen, Shane Hynan, Shane Lynam, Shia Conlon, Spit Turner, Tony O’Shea, Wally Cassidy, Willie Doherty, Zoe Hamill\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eRotten\u003c\/b\u003e is an independent studio and publisher based in Belfast, led by Joel Seawright and Lucy Jackson. Launched in 2019 as a DIY punk-inspired magazine, Rotten has since evolved into a multidisciplinary creative practice. Known for their bold, tactile, experimental approach to design, their work often explores themes such as mental health, identity, and counterculture.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by Rotten Books\u003cbr\u003ePaperback\u003cbr\u003e328 pages\u003cbr\u003e120 x 177 mm\u003c\/p\u003e","brand":"Rotten Books","offers":[{"title":"Default Title","offer_id":51641814155595,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Flat_Cover_Image.png?v=1744884727"},{"product_id":"this-is-what-hatred-did-cristina-de-middel-signed","title":"This is What Hatred Did, Cristina de Middel (Signed)","description":"\u003cp\u003e‘This is what hatred did’ is the lapidary phrase that ends Amos Tutuola’s novel\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMy Life in the Bush of Ghosts\u003c\/em\u003e. When it was published in 1954, the novel provoked such violent reactions that Tutuola was obliged to leave Nigeria. Its concluding phrase is the starting point for photographer\u003cspan\u003e \u003c\/span\u003eCristina de Middel‘s interpretation of the tenebrous story based in the streets of Makoko, a watery slum in the city of Lagos.\u003c\/p\u003e\n\u003cp\u003eThe book that has grown out of this project merges Tutuola’s original story with the reality of a country suffering under the heavy burden of African stereotypes. De Middel plays with the double narrative offered by text and image, and the layers of meaning produced by their union. What emerges is a grey zone between documentary and fiction that seeks to cast light upon a complex and inscrutable continent.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by Archive of Modern Conflict and Editorial RM\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e176 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e130 x 280 mm\u003cbr\u003eISBN \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e9788416282272\u003c\/p\u003e","brand":"Archive of Modern Conflict","offers":[{"title":"Default Title","offer_id":52686350385483,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/ThisIsWhatHatredDid_Cover.webp?v=1761045764"},{"product_id":"amc2-issue-6-space-conquerers","title":"AMC2 Issue 6: Space Conquerers!","description":"\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe first Earth-born creature to enter space was Laika, a stray dog from Moscow that blasted off aboard Sputnik 2 on 3 November 1957, heralding the beginning of the space race and an associated propaganda war between the two superpowers of the era, the Soviet Union and the United States.\u003c\/p\u003e\n\u003cp\u003eEdited by the Archive of Modern Conflict together with\u003cspan\u003e \u003c\/span\u003eCristina de Middel\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003eThomas Mailaender, this issue of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAmc\u003csup\u003e2\u003c\/sup\u003e\u003c\/em\u003e contains a cross-section of some of the space-race related images held by the archive.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan lang=\"EN-US\"\u003eThe Archive of Modern Conflict is an organisation dedicated to the collection and preservation of vernacular photographs, objects, artefacts, curiosities, and ephemera. Founded in 1991, the archive began as a collection of photographs relating to war and conflict but has since expanded its remit to become the vast and thematically diverse repository it is today.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by Archive of Modern Conflict\u003cbr\u003e\u003c\/span\u003eSoftcover\u003cbr\u003e\u003cspan\u003e32 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e300 x 370 mm\u003cbr\u003eISSN 20484135\u003c\/span\u003e\u003c\/p\u003e","brand":"Archive of Modern Conflict","offers":[{"title":"Default Title","offer_id":52689455972683,"sku":null,"price":6.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/AMC2Issue6_Cover.webp?v=1761044514"},{"product_id":"cartas-al-director-cristina-de-middel","title":"Cartas Al Director, Cristina de Middel","description":"\u003cp class=\"p1\"\u003eTucked inside a handmade paper box, this catalogue of the current show \"Cartas al director\" by Cristina De Middel connects the recent projects of the Spanish author:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eJourney to the Center\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eGentlemen´s Club\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eThe Kabuler\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eVida y Milagros de Paula P.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003ePublished by This Book Is True \/ Comunidad de Madrid\u003cbr\u003eSpanish\u003cbr\u003eHardcover box with inserts\u003cbr\u003e190 pages\u003cbr\u003e310 x 235 mm\u003cbr\u003eISBN  9788445140666 \u003c\/p\u003e","brand":"This Book Is True","offers":[{"title":"Default Title","offer_id":53297821450571,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/cartas_al_director.jpg?v=1760627172"},{"product_id":"the-kabuler-cristina-de-middel-and-lorenzo-meloni","title":"The Kabuler, Cristina de Middel and Lorenzo Meloni","description":"\u003cp class=\"p1\"\u003eOne-off magazine entitled ‘The Kabuler’ by Magnum photographers  Cristina de Middel and Lorenzo Meloni. Accompanied by essays, interviews, and stories, The Kabuler presents a nuanced image of Afghanistan, in which they have not shied away from light-hearted subjects and humour.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHow do you photograph one of the world’s most documented regions of the past twenty years? This is what Cristina de Middel (b. 1975) and Lorenzo Meloni (b. 1983) asked themselves when they travelled to Afghanistan together. Previously, De Middel had been successful with her conceptual projects, while Meloni had visited many conflict zones as a war photographer.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe photos of De Middel and Meloni have now been published in the form of a magazine, \u003ci\u003eThe Kabuler\u003c\/i\u003e, as a nod to American weekly magazines. It contains articles, interviews, and opinion pieces, but they have also made room for lighter topics and even humor. With this publication, they hope to honour the multiplicity of voices within Afghan society and the country’s complicated history.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by This Book Is True\u003cbr\u003eSoftcover\u003cbr\u003e128 pages\u003cbr\u003e220 x 275 mm\u003cbr\u003eISBN 9788409497591\u003c\/p\u003e","brand":"This Book Is True","offers":[{"title":"Default Title","offer_id":53298338627915,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/the_kabuler.jpg?v=1760627282"},{"product_id":"the-afronauts-cristina-de-middel","title":"The Afronauts, Cristina de Middel (Signed)","description":"\u003cp class=\"p1\"\u003eIn 1964, a Zambian science teacher named Edwuard Makuka decided to train the first African crew to travel to the moon. His plan was to use an aluminium rocket to put a woman, two cats and a missionary into Space. First the moon, then Mars, using a catapult system. He founded the Zambia National Academy of Science, Space Research and Astronomical Research to start training his Afronauts in his headquarters located only 20 miles from Lusaka.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis self-published book was a finalist for the Paris Photo Aperture First book award in 2012, was a finalist for the Deutsche Börse award and obtained the Infinity award from the ICP in NYC in the same year. \u003ca href=\"http:\/\/www.source.ie\/photobook\/greatest.html\"\u003e\u003cspan class=\"s1\"\u003eThe #18 in the list of The Greatest Photobooks of All Time for Source Magazine\u003c\/span\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by This Book Is True\u003cbr\u003eHardcover\u003cbr\u003e4th Edition\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e88 pages\u003cbr\u003e\u003c\/span\u003e175 x 235 mm\u003cbr\u003eISBN 9788409655625\u003c\/p\u003e","brand":"This Book Is True","offers":[{"title":"Default Title","offer_id":53299607011659,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/the-afronauts-cristina-de-middel-4th-edition_948x_3fd318c9-3bb9-4605-9ae5-e57b990392d5.webp?v=1764758376"},{"product_id":"over-journal-issue-5","title":"OVER Journal Issue 5 FUTURES","description":"\u003cp\u003eA project by PhotoIreland, \u003cem\u003eOVER\u003c\/em\u003e Journal launched its first issue in July 2020, and it has enjoyed a growing interest reaching rapidly all corners of the global market, from Zurich to Los Angeles. The publication, billed as 'The Critical Journal of Photography and Visual Culture for the 21st century' is produced with the generous support of the Arts Council of Ireland.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOVER\u003c\/em\u003e journal critically focuses on aspects often overlooked that affect the discipline, zooming out to observe the whole scene, to analyse what exactly is happening, what power relationships are at play. It is about preventing the repetition of obsolete and flawed structures, as much as highlighting the work of those who constructively are expanding what we still call Photography into new horizons. More than a portfolio magazine, it is a space for reflection on new practices, new ways of thinking.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlobal Distribution: \u003ca href=\"https:\/\/www.raandollyltd.com\/\"\u003eraandollyltd.com\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAbout Issue 5\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-description w-richtext\"\u003e\n\u003cp\u003e\u003cem\u003eOVER\u003c\/em\u003e Journal issue 5 presents a collaborative editorial project devised by four member organisations of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.futures-photography.com\/\" target=\"_blank\"\u003eFUTURES, the European Photography Platform\u003c\/a\u003e, around the theme of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMetamorphosis\u003c\/em\u003e. For this special issue, OVER Journal invited 3 guest editors from the platform to tap into the FUTURES network as well as their own. Reflections around\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMetamorphosis\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eset the scene and introduce a selection of portfolios of FUTURES Talents. The issue opens with articles that include those by Colin Graham and Joanna Zylinska, both reflecting on photography's adaptability and evolving condition, followed by the premiere of texts by two artists: a preview of a new work by Eamonn Doyle ahead of its launch in 2026 at the International Centre for the Image, and the presentation of a very personal reflection by Cristna De Middel around the experience of migration.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eFeatured Writers \u003c\/strong\u003e\u003cbr\u003eEmanuele Coccia, Colin Graham, Michael Hill, Hana Janečková, Aidan Kelly Murphy, Světlana Malina, Emese Mucsi, Ilaria Sponda, Raphaelle Stopin, István Virágvölgyi, Erik Vroons, and Joanna Zylinska.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatured Artists \u003c\/strong\u003e\u003cbr\u003eClaudia Amatruda, Lyndon Barrois Jr., Máté Bartha, Benedetta Casagrande, Cristina de Middel, Eamonn Doyle and Niall Sweeney and David Donohoe, Marcus Gustafsson, Vitalii Halanzha, Zoe Hamill, Ksenia Ivanova, Emilia Martin, Anna Orlowska, Constantin Schlachter, Balázs Turós, Viktoriia Tymonova, Yana Wernicke, and Ada Zielinska.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCo-editors\u003c\/strong\u003e\u003cbr\u003eJulia Gelezova, Ángel Luis González Fernández, Aidan Kelly Murphy, and Erik Vroons. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuest Editors\u003c\/strong\u003e\u003cbr\u003eEmese Mucsi (Robert Capa Contemporary Photography Centre), Raphaëlle Stopin (Centre Photographique Rouen Normandie), \u003cmeta charset=\"utf-8\"\u003eSvětlana Malina (Fotograf Zone).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCover Image\u003c\/strong\u003e\u003cbr\u003e'AS IF' by Eamonn Doyle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBack Cover Image\u003c\/strong\u003e\u003cbr\u003eDorje de Burgh from Now is the Time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned by\u003c\/strong\u003e \u003cbr\u003eÁngel Luis González Fernández. \u003cbr\u003e\u003cbr\u003eSet in ABC Diatype and Burgess Pro.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by PhotoIreland\u003cbr\u003e1000 copies\u003cbr\u003eSoftcover\u003cbr\u003e256 pages\u003cbr\u003e184 × 245 mm\u003cbr\u003eISBN 9781916140455\u003c\/p\u003e","brand":"PhotoIreland","offers":[{"title":"Default Title","offer_id":53524651606347,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/OVER_5_COVER_3_aa1f68c1-490a-4270-9a8d-ce6811b77ee3.jpg?v=1772802596"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/collections\/Cristina_de_Middel_-_Shopify_Banner.webp?v=1792702457","url":"https:\/\/www.thelibraryproject.ie\/es\/collections\/cristina-de-middel-journey-to-the-center.oembed","provider":"The Library Project","version":"1.0","type":"link"}