{"product_id":"coincidence-jeremy-liebman","title":"Coincidence, Jeremy Liebman","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:a6ebb8f4-90d7-4e8b-9653-5ab7afbaff87-58\" data-testid=\"conversation-turn-118\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"104f175e-8164-47aa-a7a7-7c0be3881979\" data-message-model-slug=\"gpt-5-mini\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eCoincidence\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the debut photobook by photographer Jeremy Liebman\u003c\/strong\u003e, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ethree generations of the Liebman family, capturing their lives as they unfold in parallel\u003c\/strong\u003e. After more than a decade contributing to the visual aesthetic of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eApartamento\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emagazine across 16 features, Jeremy\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eturns his lens inward to create an intimate family portrait\u003c\/strong\u003e. The book centres on a poignant dialogue between his late father, the photographer Richard Liebman, and his young grandchildren: as they reach out to the world, Jeremy’s father’s grasp on language slowly loosens and his hold on memory slowly wanes. Somewhere between them,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJeremy finds an aperture—the possibility that they are, momentarily, seeing the world in a similar way\u003c\/strong\u003e.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCoincidence\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etraces this convergence through\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003efragile fragments of domestic life\u003c\/strong\u003e. Fallen books echo the collapse of language; various faces of the home—the childhood home, the nursing home—appear uncanny, promising tenderness and fullness while at times reduced to a façade, emptied out both literally and metaphysically. Set within the flow of Jeremy’s family life,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ethe photographs become a meditation on time and inheritance\u003c\/strong\u003e, forgetting and remembering—on grappling with language at both its beginning and its end.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Jeremy Liebman\u003cbr\u003e\u003c\/strong\u003ePhotographer\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/jeremy_liebman\/\"\u003eJeremy Liebman\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas born in Berkeley, California and raised in Texas before moving to New York. He has photographed figures in the world of art, politics, and design ranging from Bill Gates to John Waters for clients that include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eInterview\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eApartamento\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePurple\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Yorker\u003c\/em\u003e. His work has been commissioned by the Met Museum, Apple, and Bottega Veneta. His first shoot for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eApartamento\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas a cover story with design legend Jim Walrod for Issue #10.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by \u003cmeta charset=\"utf-8\"\u003eApartamento \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ePublishing S.L\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003eHardcover\u003cbr\u003e\u003c\/span\u003e96 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003e240 x 210 mm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN 9788409781126\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Apartamento","offers":[{"title":"Default Title","offer_id":56996042244427,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/JEREMY.webp?v=1775830929","url":"https:\/\/www.thelibraryproject.ie\/de\/products\/coincidence-jeremy-liebman","provider":"The Library Project","version":"1.0","type":"link"}