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The processes and experiences that did not have the chance to appear in the pages of this book can only be quantified, converted, and recorded into words.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNo Magic in Riso\u003c\/em\u003e is the result of 2 years of image separation studies and experiments, and is the second book published by O.OO, continuing the spirit and purpose of \u0026lt;Imperfection Booklets\u0026gt; published 3 years ago. Instead of using wordy descriptions, we hope that readers can feel the wonders of Risograph printing through the details of the design in the book. Whether you are a designer, an artist, or an illustrator, anyone interested in color can use this book to enter the field with ease.\u003c\/p\u003e\n\u003cp\u003eThe methods discussed in this book are not the one and only, and are not absolute. Everyone’s way of experimenting is different, and this book just offers our experience as a tool. 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You can read this book from cover to cover, or you can immediately flip to those subjects which you find most relevant at any given moment. 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Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences.\u003c\/p\u003e\n\u003cp\u003eMaterial Matters 01: Wood showcases stunning creative interpretations of the common material across a variety of mediums. 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Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences.\u003c\/p\u003e\n\u003cp\u003eMaterial Matters 02: Metal showcases stunning creative interpretations of the common material across a variety of mediums. 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Packed full of insights from the world’s best bookbinders, it contains everything you need to know about folding, stitching and binding to create beautiful books.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by Laurence King\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eHardcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e420 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" mce-data-marked=\"1\"\u003e240 x 180 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9781786271686\u003c\/span\u003e\u003c\/p\u003e","brand":"Laurence King","offers":[{"title":"Default Title","offer_id":40975847489725,"sku":"BFMMW","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/81P6IzptSBL.jpg?v=1635773917"},{"product_id":"designing-motherhood-things-that-make-and-break-our-births","title":"Designing Motherhood: Things that Make and Break Our Births, Michelle Millar Fisher and Amber Winick","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile birth often brings great joy, making babies is a knotty enterprise. 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The authors investigate the baby carrier, from the Snugli to BabyBjörn, and the (re)discovery of the varied traditions of baby wearing; the tie-waist skirt, famously worn by a pregnant Lucille Ball on I Love Lucy, and essential for camouflaging and slowly normalising a public pregnancy; the home pregnancy kit, and its threat to the authority of male gynaecologists; and more. Memorable images—including historical ads, found photos, and drawings—illustrate the crucial role design and material culture plays throughout the arc of human reproduction.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book features a prologue by Erica Chidi and a foreword by Alexandra Lange.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by MIT Press\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eHardcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e344 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" mce-data-marked=\"1\"\u003e260 x 180 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9780262044899\u003c\/span\u003e\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":42053340594390,"sku":"DMMMFAW","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/collid_books_covers_0_isbn_9780262044899_type.jpg?v=1636983423"},{"product_id":"flexible-visual-systems","title":"Flexible Visual Systems, Martin Lorenz","description":"\u003cp data-mce-fragment=\"1\"\u003eFlexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTo learn how to design flexible systems is not just learning another craft, it is going to change the way you think and work entirely. It is an approach, how to design. If you would place system design into a curriculum it would be the foundation course, putting you in the right mindset. You can apply the systemic approach to any discipline you will later specialise in, from corporate design, communication design, user experience design to textile design.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFlexible Visual Systems is divided into three parts. The first part is a richly illustrated theoretic introduction (82 pages) explaining the past, present and future of flexible systems. It describes how they were used in the past, how they are used today and why they should not just organise formal solutions, but the way how we work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe second part is a hands-on, almost purely visual, description of how to design flexible systems on form, starting with a circle, triangle, square, pentagon and hexagon. Lots of instruction manuals and examples on how to use them on 148 pages!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe third part explains how transformation processes can become flexible systems for visual identities. Especially creative coders, motion designers and people who love to experiment will have a lot of fun with this chapter.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished by Slanted\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e320 pages\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e210 x 250 mm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eISBN 9783948440305\u003c\/span\u003e\u003c\/p\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":42080822067414,"sku":"FVSML","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/FVS_CoverMockup_00.jpg?v=1637321551"},{"product_id":"caps-lock-how-capitalism-took-hold-of-graphic-design-and-how-to-escape-from-it-ruben-pater","title":"CAPS LOCK, Ruben Pater","description":"\u003cp data-mce-fragment=\"1\"\u003eCapitalism could not exist without the coins, notes, documents, graphics, interfaces, branding and advertisements; artefacts that have been (partly) created by graphic designers. 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Written in the aftermath of the 1968 student uprising in the US and Europe, it demands a reimagination of the city and how class, city life and identity combine. Too often, this leads to divisions, such as the middle-class flight to the suburbs, leaving the inner cities in desperate straits. In response, Sennett offers an alternative image of a “dense, disorderly, overwhelming cities” that allow for change and the development of community. 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Cover by Rida Abbasi.\u003c\/p\u003e\nPublished by Occasional Papers\u003cbr data-mce-fragment=\"1\"\u003eSoftcover\u003cbr data-mce-fragment=\"1\"\u003e276 pages\u003cbr data-mce-fragment=\"1\"\u003e165 × 235 mm\u003cbr data-mce-fragment=\"1\"\u003eISBN 9780995473010\u003cbr\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":42210025111766,"sku":"OAMMPOGDE","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/9780995473010-768x1162.jpg?v=1639581742"},{"product_id":"the-dublin-architecture-guide-1937-2021","title":"The Dublin Architecture Guide 1937-2021","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWith a Foreword by Dermot Bannon and an introductory essay by the architect Jonathan Sergison, The Dublin Architecture Guide is a companion guide to the modern architecture of Dublin. 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Proportional typefaces, in turn, have harmoniously balanced spaces with variable widths between their characters. The widths are not set proportional. That is why monospaced typefaces are also named non-proportional. What exactly is the attraction of typefaces, whose letters and characters each occupy an equally large space?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDue to the increase in typeface production over the past few decades, almost every well-developed font family also has a mono or semi-mono cut. 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Letterform Variations is a playful study into letterform construction using basic grid and shape based systems, and its potential to generate vast amounts of varying alphabetical outcomes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLetterform Variations is the product of Nigel Cottier’s methodology for developing letterforms that are based partly on visual transformations generated by algorithmic functions, such as constraints, rules, grids, and modules, and partly on designerly judgements about composition, balance and visual dynamics. Cottier’s modular systems are built within expansive design spaces that facilitate the production of an almost infinite range of outputs, but what distinguishes them is the considered choices he makes subsequently, categorizing, and editing his results as competent and handsome representations of alphabetic forms. This connection between impartial geometric shapes and the alphabetic code brings to mind Paul Elliman’s contention that the boundaries between typography, typology and topography are never distinct.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished by Slanted\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e692 pages\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e150 x 200 mm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eISBN 9783948440350\u003c\/span\u003e\u003c\/p\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":42722764554454,"sku":"LVNC","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Cover-Slanted-Publishers-Nigel-Cottier-Letterform-Variations.jpg?v=1648728328"},{"product_id":"rejected-designs-for-the-european-flag","title":"Rejected: Designs for the European Flag","description":"\u003cp data-mce-fragment=\"1\"\u003eThe flag bearing twelve yellow stars on a blue background has become Europe’s most recognisable symbol. Since its introduction by the Council of Europe in 1955, it has stood for the unification of Europe’s nation states. It was precisely this yellow circle of stars that prevailed over more than 150 flag ideas sent to the Council of Europe by a host of diverse private individuals. These colourful designs are being now published in Rejected for the first time. They document the continent’s zeitgeist at a decisive period in the development of European unity. 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At the heart of the volume are fabulous, hugely diverse examples of Riso-printing, including postcards, magazines, posters, flyers, and experimental printed products, all of which inspire through vivacity of colour, unique textures and, above all, the perfectly imperfect authenticity of Risography.\u003c\/p\u003e\n\u003cp\u003ePublished by Niggli Verlag\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHardcover\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e232 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e220 x 200 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eISBN 9789887850175\u003c\/span\u003e\u003c\/p\u003e","brand":"Niggli Verlag","offers":[{"title":"Default Title","offer_id":43076718821590,"sku":"RTNSOPJZK01","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/00_cover_risomania_lowres_1-scaled.jpg?v=1655388734"},{"product_id":"graphic-events-a-realist-account-of-graphic-design-nick-deakin-and-james-dyer-eds","title":"Graphic Events: A Realist Account of Graphic Design, Nick Deakin and James Dyer (Eds)","description":"\u003cp\u003eGraphics have a way of living that is often awkward and unplanned. 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Postscript by Johanna Drucker.\u003c\/p\u003e\n\u003cp\u003ePublished by Onomatopee\u003cbr\u003eSoftcover \u003cbr\u003e220 pages\u003cbr\u003e111 x 181 mm\u003cbr\u003eISBN 9789493148666\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":43090116509910,"sku":"GENDJD01","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Graphic-Events-Front-Cover-960x1576.jpg?v=1655722978"},{"product_id":"an-encyclopedia-of-political-record-labels-josh-macphee","title":"An Encyclopedia of Political Record Labels, Josh MacPhee","description":"\u003cp\u003eAn Encyclopedia of Political Record Labels is a compendium of information about political music and radical cultural production. Focusing on vinyl records and the labels that released them, this groundbreaking book traces the parallel rise of social movements in the second half of the twentieth century and the vinyl record as the dominant form of music distribution.\u003c\/p\u003e\n\u003cp\u003eJust as the Civil Rights Movement leaps onto mainstream headlines in the early 1960s, the 33rpm “Long Player” and 45rpm single invade people’s stereos. All the major Civil Rights organisations release vinyl records of speeches, movement songs, and field recordings—setting the pace for the intertwining of social movements and easily distributed sound recordings. 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Truly international in scope, over two dozen countries and territories are represented, as well as a myriad of musical styles and forms.\u003c\/p\u003e\n\u003cp\u003ePublished by Common Notions\u003cbr\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSoftcover\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e208 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e230 x 140 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eISBN 9781942173113\u003c\/span\u003e\u003c\/p\u003e","brand":"Common Notions","offers":[{"title":"Default Title","offer_id":43178448093398,"sku":"AEOPRLJM","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/EncycPolLabel_3rdEd.jpg?v=1657022637"},{"product_id":"100-poster-battle-sharing-cultural-identities","title":"100 Poster Battle 2: Sharing Cultural Identities","description":"\u003cp data-mce-fragment=\"1\"\u003e100 Poster Battle 2 — Sharing Cultural Identities is an experimental, bilingual poster design project supervised by Lars Harmsen and Markus Lange, that brings together students from different universities to design posters.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn a first round, black and white basic motifs were created, consisting of typography \/ text, or image \/ illustration \/ photo, or background. Just like in screen printing, the various layers were to be brought together in such a way that they all use the previously created pool.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSymbolically, this is already the first step of sharing cultural identity: that everyone has formulated their idea and vision in advance, but then mixes it with the thoughts and images of others, combines—to then also see from others how their own work moves and acquires new meanings. In terms of content, they covered three topics: Fashion \u0026amp; Subculture, Food, and City.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith all these topics all participants learned a lot from each other. Not only then, but also in the aftermath. The creation of 100 Poster Battle 2: Sharing Cultural Identities gave rise to a very close relationship between some of them. The designers worked together for days and nights, appreciating each other over the countless online sessions and conversations. 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Anyone, from layman to professional, and everyone in between, was invited to submit an essay. Out of 70 submissions a selection of 15 short essays were chosen and are displayed in this book, alongside commissioned contributions by renowned (design) critics. With this book, Onomatopee wishes to break down the often closed circuit of design criticism and establish a grounding for a ‘design criticism for all’.\u003c\/p\u003e\n\u003cp\u003eWith contributions by Vanessa Brazeau, Lara Chapman, Pete Fung, Iskander Guetta, Adina Glickstein, Judith Leijdekkers, Ellen Lupton, Rosannagh Maddock, Jo Minhinnett, PLSTCTY Studio, Josh Plough, Alice Rawsthorn, Bessie Rubinstein, Y. 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