{"title":"Art \u0026 Critical Theory","description":"\u003ch1 style=\"text-align: center; width: 100%;\"\u003eArt \u0026amp; Critical Theory\u003c\/h1\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 style=\"text-align: center; width: 100%;\"\u003eIreland's Art Bookshop\u003c\/h3\u003e","products":[{"product_id":"architecture-after-revolution-a-petti-s-hilal-e-weizman","title":"Architecture After Revolution","description":"\u003cp\u003eThe work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonisation; consequently, to rethink the problem of political subjectivity not from the point of view of a Western conception of a liberal citizen but rather from that of the displaced and extraterritorial refugee. You will not find here descriptions of popular uprising, armed resistance, or political negotiations, despite these of course forming an integral and necessary part of any radical political transformation. Instead, the authors present a series of provocative projects that try to imagine “the morning after revolution.”\u003c\/p\u003e\n\u003cp\u003eLocated on the edge of the desert in the town of Beit Sahour in Palestine, the architectural collective Decolonizing Architecture Art Residency (DAAR) has since 2007 combined discourse, spatial intervention, collective learning, public meetings, and legal challenges to open an arena for speculating about the seemingly impossible: the actual transformation of Israel’s physical structures of domination. Against an architectural history of decolonization that sought to reuse colonial architecture for the same purpose for which it was originally built, DAAR sees opportunities in a set of playful propositions for the subversion, reuse, profanation, and recycling of these structures of domination and the legal infrastructures that sustain them.\u003c\/p\u003e\n\u003cp\u003eDAAR’s projects should be understood as a series of architectural fables set in different locations: an abandoned military base near Beit Sahour, the refugee camp of Dheisheh in Bethlehem, the remnants of three houses on the Jaffa beach, the uncompleted Palestinian Parliament building, the historical village of Battir, the village of Miska destroyed during the Nakba, and the red-roofed West Bank colony of Jabel Tawil (P’sagot) next to Ramallah-El Bireh.\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Sternberg Press\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e206 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e140 x 210 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9783943365795\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":4178104680479,"sku":"AAR","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Architecture_After_Revolution_Cover.jpg?v=1587558151"},{"product_id":"self-publish-be-happy-a-diy-photobook-manual-and-manifesto-bruno-ceschel","title":"Self Publish, Be Happy: A DIY Photobook Manual and Manifesto, Bruno Ceschel","description":"\u003cp\u003eAn economic and cultural revolution has shaken the photobook world in the last five years: self-publishing. An army of photographers operating as publishers have had an instrumentalrole in today’s photobook renaissance. This book offers a do-it-yourself manual and a surveyof key examples of self-published success stories, as well as a self-publishing manifesto and list of resources.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe manual portion of this volume offers insight, advice, and rudimentary how-tos for the photographer interested in self-publishing. The survey offers an overview of the contemporary self-publishing landscape; each case study illustrates a particular theme and genre of self-publishing (such as diary, documentary, or conceptual object), and will be accompanied by personal testimonies from the artists who created them. Author\u003cstrong\u003e \u003c\/strong\u003eBruno Ceschel, founder of the \u003cem\u003eSelf Publish, Be Happy\u003c\/em\u003e organisation, provides a rallying cry for all those involved in the contemporary photobook revolution—a moment in which the photobook, in all its infinitesimal manifestations, has never before been so omnipresent in our cultural landscape, nor so critical to the photographer’s practice.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSelf Publish, Be Happy\u003c\/em\u003e, founded by Bruno Ceschel in 2010, collects, studies, and celebrates self-published photobooks through an ongoing program of workshops, live events, and on\/offline projects. Its London-based collection contains more than two thousand publications.\u003cem\u003e Self Publish, Be Happy\u003c\/em\u003e is the physical manifestation of a worldwide online community formed of a new, ever-evolving generation of young artists, who experiment, stretch, and play with the medium of photography.\u003c\/p\u003e\n\u003cp\u003eBruno Ceschel writes regularly for publications such as Foam and Aperture, is coeditor of the forthcoming publication issue of the journal Photography and Culture, and was the guest editor of The PhotoBook Review’s spring 2014 issue. 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The aim is to show how artist-run practice manifests itself, how artist-run spaces are a distinctive and central part of visual art culture, and how they present a complex, heterogeneous, and necessary set of alternatives to the art institution, museum and commercial gallery.\u003c\/p\u003e\n\u003cp\u003eIn a self-reflexive, critically questioning process, contributions by Jason E. Bowman, AA Bronson, Noelle Collins, Valerie Connor, Mark Cullen, Céline Kopp, Joanna Laws, Freek Lomme, Megs Morley, Gavin Murphy, Transmission Gallery, Gavin Wade, and Katherine Waugh, discuss and analyse areas such as: What position do artist-run spaces occupy within the field of contemporary art today? Should they stand in opposition to or in parallel to other art-world structures? How is value ascribed to these often transitory practices, and is this value recognised within the field? How are these spaces organised? Can artist-run spaces develop and be sustained without the need to institutionalise? What do artist-run spaces add to the ecology of the civil society? What can we say about future (or hoped for) trajectories?\u003c\/p\u003e\n\u003cp\u003eSuch a publication is timely and unique, with case studies of spaces and projects: Triangle France, Transmission Gallery, Pallas Projects\/Studios, Eastside Projects, Catalyst Arts, Pink Cube, Secession, Dienstgebaeude, Supermarket, 126 Artist-led Gallery, and The Artist-led Archive; and an expansive and detailed index of artist-run spaces in Europe. It will seek to develop and encourage discourse on the subject within the wider field of contemporary practice, be a source for academics and students, and act as a practical tool for those running or wishing to set up artist-run spaces.\u003c\/p\u003e\n\u003cp\u003eContributors: Jason E. 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Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.\u003c\/p\u003e\n\u003cp\u003eAllan Sekula (1951–2013) was an American artist, whose work spans multiple media: long form photographic series (\u003cem\u003eAerospace Folktales, \u003c\/em\u003e1973;\u003cem\u003e School as a Factory,\u003c\/em\u003e1980; \u003cem\u003eWar Without Bodies,\u003c\/em\u003e 1991\/96), critical texts (\u003cem\u003eThe Body and the Archive,\u003c\/em\u003e 1986 and \u003cem\u003eDebating Occupy\u003c\/em\u003e, 2012) and film (\u003cem\u003eThe Forgotten Space,\u003c\/em\u003e 2012).\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePublished by MACK Books\u003cbr\u003e Softcover\u003cbr\u003e 250 pages\u003cbr\u003e 280 × 215 mm\u003cbr\u003e ISBN 9781910164495\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":4178681987103,"sku":"PATGAS01","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/PhotographyAgainstTheGrain_9c470a60-dcac-4257-befb-72aa97638eb5.jpg?v=1606395181"},{"product_id":"inconclusive-evidence-jan-hietala","title":"Inconclusive Evidence, Jan Hietala","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eInconclusive Evidence: Spatial Gender Politics at Strawberry Hill 1747-58\u003c\/em\u003e is a semiotic study of letters, drawings, sketches and paintings related to Strawberry Hill in Twickenham, Middlesex, one of the most studied villas of all time and regarded as a forerunner to the Gothic revival in architecture. Horace Walpole assembled a 'Committee of Taste' to assist him in its construction, and as a result of the social requirements of the time and all made household emerged. The book sheds new light on the relation between Strawberry Hill and modernity.\u003c\/p\u003e\n\u003cp\u003ePublished by Spurbuchverlag\u003cbr\u003eHardcover\u003cbr\u003e196 pages\u003cbr\u003e190 × 245 mm\u003cbr\u003eISBN: 9783887783853\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Spurbuchverlag","offers":[{"title":"Default Title","offer_id":8138720542810,"sku":"IEJH01","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Inconclusive.jpg?v=1535547055"},{"product_id":"dear-selected-letters-from-brian-odoherty","title":"Dear... 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I hope to come to NY in November and I’ll phone to you.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eBien amicalement,\u003cbr\u003eRoland Barthes”\u003cbr\u003e— letter sent Oct. 29, c. 1967, as O’Doherty has commissioned Barthes the essay, “The Death of the Author” for the magazine\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAspen\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003eThis letter and many many many others—from and to Brian O’Doherty aka Patrick Ireland can be found in this unexpected and energising collection, deftly edited by Brenda Moore-McCann.\u003c\/p\u003e\n\u003cp\u003ePublished by Sirius Arts Centre and Paper Visual Art\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e171 pages\u003cbr\u003e210 x 280 mm\u003cbr\u003eISBN 9781916468207\u003c\/p\u003e","brand":"Sirius Arts Centre","offers":[{"title":"Default Title","offer_id":17350342770778,"sku":"DSLFBOD01","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/bod.jpeg?v=1562158479"},{"product_id":"decolonising-the-camera-photography-in-racial-times-mark-sealy","title":"Decolonising the Camera: Photography in Racial Times, Mark Sealy","description":"\u003cp\u003eThis book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eDecolonising the Camera\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etrains Mark Sealy’s sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus.\u003c\/p\u003e\n\u003cp\u003eThe book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human by such images, then we remain hemmed within established orthodoxies of colonial thought concerning the racialised body, the subaltern and the politics of human recognition.\u003c\/p\u003e\n\u003cp\u003eWith detailed analyses of photographs – included in an insert – by Alice Seeley Harris, Joy Gregory, Rotimi Fani-Kayode and others, and spanning more than 100 years of photographic history,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDecolonising the Camera\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtains vital visual and written material for readers interested in photography, race, human rights and the effects of colonial violence.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePublished by Laurence and Wishart\u003cbr\u003eSoftcover\u003cbr\u003e267 pages\u003cbr\u003e140 x 210 mm\u003cbr\u003eISBN 9781912064755\u003c\/p\u003e","brand":"Laurence and Wishart","offers":[{"title":"Default Title","offer_id":17650346262618,"sku":"DTCMS01","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Sealy_cover.jpg?v=1564577672"},{"product_id":"a-history-of-head-trauma-laura-fitzgerald","title":"A History of Head Trauma, Laura Fitzgerald","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cem\u003eA History of Head Trauma\u003c\/em\u003e is an experiment  in short story making and presented as part of RHA FUTURES, Series 3, Episode 2. 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Ever since Duchamp’s readymade und Hugo Ball’s sound poetry, the definition of art has widened and dissolved to a point where nearly anything geared toward an art audience can be considered an artwork. Today it has become convention to praise art as a way of questioning conventions, not least in regard to conventional borders between disciplines, media, and genres. However, heroic claims of dissolving borders have become a way of kicking at doors that are already wide open—in a political and economic environment defined by neoliberal deregulation and flexibilization geared toward new markets, and permeating every social and cultural sphere.\u003c\/p\u003e\n\u003cp\u003eIt has thus become increasingly important to discuss the relationship between different fields of cultural production. This book does just that, looking closely at the careers of artists and pop musicians who work in both fields professionally. Historically, these figures provoked cognitive dissonance, but the seeming acceptance and effortlessness today of current border crossings can be deceptive, since they might be serving vested economic or ideological interests. 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Now based between Dublin and Berlin.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePVA\u003c\/em\u003e began as a response to what was felt to be a lack of clear and critical writing on visual arts in Ireland at the time. Their interest is in producing writing about art that might also be read by those who have a curiosity in art and art discourse, and their aim is to produce texts that are forward-moving, and readable – without unnecessary jargon – through an active, critical, and at times lengthy editorial interaction with each writer.\u003cbr\u003e\u003cbr\u003eEverything Is Somewhere Else, edited by Dennis McNulty, comprises texts, both fiction and non-fiction, documentary materials, and images that respond to the complex structures in which we live. 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Inspiring and thoughtful, depicted through artistic photography and an intriguing story – the magic of colour.\u003c\/p\u003e\n\u003cp\u003eSelf Published\u003cbr\u003eHardcover w thread\/ wire binding\u003cbr\u003e205 x 245 mm\u003cbr\u003e160 pages\u003c\/p\u003e","brand":"Self Published","offers":[{"title":"Default Title","offer_id":34422566453398,"sku":"TWOCAC","price":21.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/28629234-Gj5GK.jpg?v=1633524067"},{"product_id":"on-photographs-david-campany","title":"On Photographs, David Campany","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOn Photographs\u003c\/i\u003e, curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany's eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier's contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany's lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it within visual culture. Image by image, we absorb and appreciate Campany's complex yet playful take on photography and its history.\u003c\/p\u003e\n\u003cp\u003eThe title,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOn Photographs\u003c\/i\u003e, alludes to Susan Sontag's influential and groundbreaking\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOn Photography\u003c\/i\u003e. As an undergraduate, Campany met Sontag and questioned her assessment of photography without including specific photographs. Sontag graciously suggested that someday Campany could write his own book on the subject, titled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOn Photographs\u003c\/i\u003e. Now he has.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by MIT Press\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eHardcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e272 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e171 x 216 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN \u003c\/span\u003e9780262044240\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":34498572976278,"sku":"OPDC","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/on_photographs_david_capany.png?v=1590761843"},{"product_id":"my-mother-laughs-chantal-akerman","title":"My Mother Laughs, Chantal Akerman","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eFirst published in France in 2013,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMy Mother Laughs\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the final book written by the legendary and beloved Belgian artist and director Chantal Akerman (1950-2015) before her death. A moving and unforgettable memoir, the book delves deeply into one of the central themes and focuses of Akerman's often autobiographical films: her mother, who was the direct subject of her final film\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNo Home Movie\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(2015).\u003c\/p\u003e\n\u003cp\u003eWith a particular focus on the difficulties Akerman faced in conjunction with the end of her mother's life, the book combines a matter-of-fact writing style with family photographs and stills from her own films in order to better convey the totality of her experience. Akerman writes: With pride because I finally believed in my ability to say something that I'd had trouble saying. I told myself, I am strong for once, I speak. I tell the truth.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eChantal Akerman\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(1950-2015) was a Belgian film director, screenwriter, artist and professor. She is best known for her film\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJeanne Dielman, 23 quai du Commerce, 1080 Bruxelles\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1975), which was dubbed a masterpiece by the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNew York Times\u003c\/i\u003e. During her 42 years of active filmmaking, Akerman's influence on queer, feminist and avant-garde cinema remains unmatched, her films highlighting a near-physical passage of time. Akerman's films have been shown at the Venice Film Festival, Cannes Film Festival and the New York Film Festival, among many others.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePublished by Silver Press\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSoftcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e230 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e136 x 201 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eISBN \u003c\/span\u003e9780995716230\u003c\/p\u003e","brand":"Silver Press","offers":[{"title":"Default Title","offer_id":34573382025366,"sku":"MMLCA01","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/mymotherlaughs.jpg?v=1591279560"},{"product_id":"your-silence-will-not-protect-you-essays-and-poems-audre-lorde","title":"Your Silence Will Not Protect You: Essays and Poems, Audre Lorde","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"extra-wrapper\" id=\"page-body-header\"\u003e\n\u003cdiv id=\"page-header-58af3573f5e231d703e3eb7d\" data-updated-on=\"1506847177789\" data-type=\"block-field\" data-layout-label=\"Your Silence Will Not Protect You Header Content\" class=\"sqs-layout sqs-grid-12 columns-12\"\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-12 span-12\"\u003e\n\u003cdiv id=\"block-bbbf58b4ca7adb86d3e3\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp dir=\"ltr\"\u003eWith a preface by Reni Eddo-Lodge and an introduction by Sara Ahmed\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-edit-main-image=\"Page Banner\" data-collection-id=\"58af3573f5e231d703e3eb7d\" data-content-field=\"main-content\" class=\"main-content\"\u003e\n\u003cdiv id=\"page-58af3573f5e231d703e3eb7d\" data-updated-on=\"1506945253782\" data-type=\"page\" class=\"sqs-layout sqs-grid-12 columns-12\"\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-12 span-12\"\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-8 span-8\"\u003e\n\u003cdiv id=\"block-yui_3_17_2_7_1456513754913_29469\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003eAudre Lorde (1934-92) described herself as ‘Black, lesbian, mother, warrior, poet’. Born in New York, she had her first poem published while still at school and her last the year she died of cancer. Her extraordinary belief in the power of language – of speaking – to articulate selfhood, confront injustice and bring about change in the world remains as transformative today as it was then, and no less urgent. This edition brings Lorde’s essential poetry, speeches and essays, including ‘The Master’s Tools Will Never Dismantle the Master’s House’, together in one volume for the first time.\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Silver Press\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e220 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e147 x 202 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN \u003c\/span\u003e9780995716223\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Silver Press","offers":[{"title":"Default Title","offer_id":34573652328598,"sku":"YSWNPYAL01","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/image_e9b3cec6-fc8e-48c9-838e-4d332fce9373.jpg?v=1591774846"},{"product_id":"feminism-and-nationalism-in-the-third-world-kumari-jayawardena","title":"Feminism and Nationalism in the Third World, Kumari Jayawardena","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"edition-single--book-teaser\"\u003eA founding text of transnational feminism.\u003c\/p\u003e\n\u003cp class=\"edition-single--book-description\"\u003eFor twenty-five years,\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eFeminism and Nationalism in the Third World\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas been an essential primer on the late nineteenth- and early twentieth-century history of women’s movements in Asia and the Middle East. In this engaging and well-researched survey, Kumari Jayawardena presents feminism as it originated in the Third World, erupting from the specific struggles of women fighting against colonial power, for education or the vote, for safety, and against poverty and inequality.\u003cbr\u003e\u003cbr\u003eJournalist and human rights activist Rafia Zakaria’s foreword to this new edition is an impassioned letter in two parts: the first to Western feminists; the second to feminists in the Global South, entreating them to use this “compendium of female courage” as a bridge between women of different nations.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeminism and Nationalism in the Third World\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas chosen as one of the top twenty Feminist Classics of this Wave, 1970–1990, by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMs.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emagazine, and won the Feminist Fortnight Award in the UK.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Verso\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSoftcover\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e304 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e140 x 210 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN  \u003c\/span\u003e9781784784294\u003cbr\u003e\u003c\/p\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":34711012311190,"sku":"FANITTWKJ01","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/kumarijayawardena.jpg?v=1592065857"},{"product_id":"de-colores-means-all-of-us-latina-views-for-a-multi-colored-century-elizabeth-martinez","title":"De Colores Means All of Us: Latina Views for a Multi-Colored Century, Elizabeth Martínez","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"edition-single--book-teaser\"\u003e\n\u003cp\u003eA radical Latina perspective on race, liberation, and identity\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"edition-single--book-description\"\u003e\n\u003cp\u003eElizabeth Martínez’s unique Chicana voice has been formed through over thirty years of experience in the movements for civil rights, women’s liberation, and Latina\/o empowerment. In\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDe Colores Means All of Us\u003c\/em\u003e, Martínez presents a radical Latina perspective on race, liberation and identity. She describes the provocative ideas and new movements created by the rapidly expanding US Latina\/o community as it confronts intensified exploitation and racism.\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Verso\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e288 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e140 x 210 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN \u003c\/span\u003e9781786631176\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":34711024828566,"sku":"DCMAOUEM01","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/decolores.jpg?v=1592066041"},{"product_id":"feminist-art-activisms-and-artivisms","title":"Feminist Art Activisms and Artivisms, Katy Deepwell (Ed.)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles\/ positions\/ lives\/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. \u003cem\u003eFeminist Art Artivism and Activism\u003c\/em\u003e, two sides of the same coin, arise where art approaches, develops or transforms into activism and vice versa, where activisms become artivisms. In both, art emerges in differing forms of political intervention, at both an individual, shared or collective level, apparent in actions, events, identifications and practices. This volume wants to reveal the diversity of these practices and realities. Representing a range of critical insights, perspectives and practices from artists, activists, curators, academics and writers, it explores and reflects on the enormous variety of feminist interventions in the field of contemporary art, social processes, the public sphere and politics. In doing so, \u003cem\u003eFeminist Art Activisms and Artivisms\u003c\/em\u003e touches upon broader questions of cultural difference, history, class, economic position, ecology, politics, sexual orientation, and the ways in which these intersect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContributors:\u003c\/strong\u003e Linda Aloysius, Marissa Begonia, Sreyashi Tinni Bhattacharyya, Marisa Carnesky, Paula Chambers, Amy Charlesworth, Emma Curd, Katy Deepwell, Tal Dekel, Emma Dick, Lior Elefant, Christine Eyene, Abbe Leigh Fletcher, GraceGraceGrace, Alana Jelinek, Sonja van Kerkhoff, Alexandra Kokoli, Elke Krasny, Loraine Leeson, Laura Malacart, Rosy Martin, Alice Maude-Roxby, Kathleen Mullaniff, Louise O’Hare, Tanja Ostojić, Martina Pachmanová, Gill Park, Pune Parsafar, Roxane Permar, Anne Robinson, Stefanie Seibold, Pam Skelton, Mare Tralla, Christina Vasileiou, Camille Melissa Waring, Michelle Williams Gamaker, Virginia Yiqing Yang.\u003c\/p\u003e\n\u003cp\u003ePublished by Valiz\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e448 pages\u003cbr\u003e240 x 168 mm\u003cbr\u003eISBN 9789492095725\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":35338185834646,"sku":"FAAAAKD01","price":33.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/FeministArtivisms_cover.jpg?v=1595357350"},{"product_id":"plan-and-play-play-and-plan","title":"Plan and Play, Play and Plan, Janwillem Schrofer","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e'Visual artist’ is a term with untold interpretations, nuances, variations and meanings. But how, as an artist (or designer, photographer, or other ‘independent creator’), do you become who you are and who you would like to be? What fundamental questions, characteristics, dilemmas, ambitions, restrictions and realities play a part? How can you guide your artistic practice, the main criterion being to answer the question: \"where do I stand and what do I stand for?\"\u003c\/p\u003e\n\u003cp\u003ePlan and Play, Play and Plan invites the artist to reach considerations, often based on analytical models, that will help to determine his\/her position. This book has been written by Janwillem Schrofer, director of the Rijksakademie (Amsterdam) from 1982 to 2010, an esteemed international institute, where artists with a number of years' professional experience are provided with their own studios for two years. Schrofer knows from practical experience the complexity of the artist's questions and dilemmas, the many areas in which the artist is involved and how important self-reflection and self-determination are. He has scrutinized his considerations and, assembled notes-based on many interviews with a wide variety of artists-assimilating them into an appealing book in which terminology, background and questions requiring reflection form a cohesive whole.\u003c\/p\u003e\n\u003cp\u003eThis log-cum-reflective book is intended for artists and those who wish to become artists, as well as anyone who works with artists. The book does not provide 'recipes' or simple solutions, but delves into the very fibre of the artist's profession, and invites the reader to explore a sustainable artistic practice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtists' contributions:\u003c\/strong\u003e Nardo Alvarado, Carlos Amorales, Tiong Ang, David Bade, Mark Boulos, Olga Chernysheva, Martha Colburn, Sean Dower, Driessens \u0026amp; Verstappen, Marlene Dumas, Claudia Fontes, Alicia Framis, Meschac Gaba, Ryan Gander, Dora Garcia Lopez, Antony Gormley, Hama Goro, Sigurdur Gudmundsson, Hans van Houwelingen, Joan Jonas, Paul Klemann, Jean Bernard Koeman, Meiro Koizumi, Cees Krijnen, Germaine Kruip, Alexandra Leykauf, Matt Mullican, Jacco Olivier, Michelangelo Pistoletto, Jan van der Ploeg, Esther Polak\/Ivar van Bekkum, Michael Raedecker, Jannie Regnerus, Mathilde Rosier, Viviane Sassen, Praneet Soi, Mounira Al Solh, Berend Strik, Esther Tielemans, Helen Verhoeven, Roy Villevoye, Auke de Vries, Guido van der Werve, Kan Xuan, Sylvie Zijlmans\u003c\/p\u003e\n\u003cp\u003ePublished by Valiz\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e288 pages\u003cbr\u003e220 x 155 mm\u003cbr\u003eISBN 9789492095404\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":35338288201878,"sku":"PAPPAPJS01","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/PlanandPlay_cover.jpg?v=1595357794"},{"product_id":"conceptual-art-in-a-curatorial-perspective","title":"Conceptual Art in a Curatorial Perspective, N. Zonnenberg","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eConceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation\u003c\/em\u003e focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analysed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonisation. The aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue and the different ways of dealing with it within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.\u003c\/p\u003e\n\u003cp\u003ePublished by Valiz\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e240 pages\u003cbr\u003e235 x 165 mm\u003cbr\u003eISBN 9789078088769\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":35338462625942,"sku":"CAIACPNZ01","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/ConceptualArt_cover.jpg?v=1595358276"},{"product_id":"failed-images","title":"Failed Images, Ernst van Alphen","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eFailed Images: Photography and its Counter-Practices tries to understand photography in its difference from the reality it shows. It sets as a task to analyse the different ways the photograph transforms that which exists before the camera. Photography is not only determined by technical features, but also by a conventional approach to it. This approach can be recognised in what is now called a ‘snapshot’. But the photographic medium enables also very different practices and as a result very different kinds of photographic images. To see this, one needs to look at the diversity of photographic images and practices outside the dominant approach. In this book the photographic image will be explored by focusing on photographic practices refusing the dominant approach to the medium, namely staged photography, blurred photography, under- en overexposed photography and archival photography.\u003c\/p\u003e\n\u003cp\u003ePublished by Valiz\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e288 pages\u003cbr\u003e235 x 165 mm\u003cbr\u003eISBN 9789492095459\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":35738699137174,"sku":"FIEVA","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/FailedImages_cover.jpg?v=1597233477"},{"product_id":"migrant-mother-migrant-gender-sally-stein","title":"Migrant Mother, Migrant Gender, Sally Stein","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003ecentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers—particularly Dorothea Lange, Marion Post Wolcott, Jack Delano—as well as the contested image of FDR.  Her numerous essays about popular mass media –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLadies Home Journal\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLook\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by MACK Books\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSilkscreen Paperback\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e128 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e125 x 195 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9781912339839\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":36475796029590,"sku":"MMMGSS01","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/MMMG1.png?v=1601569295"},{"product_id":"an-interview-with-lewis-baltz-duncan-forbes","title":"An Interview with Lewis Baltz, Duncan Forbes","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\"The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBaltz’s interview is fully annotated with an introductory essay by Duncan Forbes.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDISCOURSE is a series of small books in which a cultural theorist, curator or artist explores a theme, an artwork or an idea in an extended illustrated text. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePublished by MACK Books\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSoftcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e120 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e125 x 195 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eISBN \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e9781913620028\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":37614753546429,"sku":"AIWLBDF","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/aninterviewwlewisbatlzcover.jpg?v=1606393911"},{"product_id":"photographys-neoliberal-realism-jorg-colberg","title":"Photography's Neoliberal Realism, Jörg Colberg","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eConfronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gursky,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePhotography’s Neoliberal Realism\u003c\/em\u003e examines how these artists produce capitalism’s equivalent of the Soviet Union’s socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas. The ideological framework that Colberg terms ‘neoliberal realism’ serves to cement an economic system whose many fault lines are becoming increasingly clear, such as staggering inequality and racial disparities. This extended essay provides an alternative reading of photographic works laden with artifice, and argues how focusing on this artifice misses the more far-reaching ways such images operate in our visual economy.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDISCOURSE is a series of small books in which a cultural theorist, curator or artist explores a theme, an artwork or an idea in an extended illustrated text. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by MACK Books\u003cbr\u003eSoftcover\u003cbr\u003e40 pages\u003cbr\u003e125 x 195 mm\u003cbr\u003eISBN 9781913620165\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":37614849917117,"sku":"PNRJC01","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/photographys_neoliberal_realism.jpg?v=1607126086"},{"product_id":"girl-on-girl-charlotte-jansen","title":"Girl on Girl, Charlotte Jansen","description":"\u003cp\u003e\u003cem\u003eGirl on Girl \u003c\/em\u003elooks at how women are using photography, the internet and the female gaze to explore self-image and female identity in contemporary art.\u003c\/p\u003e\n\u003cp\u003eA new generation of women is taking the art world – online and offline – by storm. In an image-obsessed culture saturated with social media, these 40 artists are using photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism, making a profound impact on our visual world.\u003c\/p\u003e\n\u003cp\u003eForty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into this exciting shift in female creativity.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Laurence King\u003cbr\u003eSoftcover\u003cbr\u003e\u003c\/span\u003e192 pages\u003cbr\u003e\u003cspan\u003e195 × 159 mm\u003cbr\u003e\u003c\/span\u003eISBN 9781786275554\u003c\/p\u003e","brand":"Laurence King","offers":[{"title":"Default Title","offer_id":37653190869181,"sku":"GOGCJ","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/GirlonGirlCover.jpg?v=1607006638"},{"product_id":"queer-community-through-photographic-acts-annica-karlsson-rixon","title":"Queer Community Through Photographic Acts, Annica Karlsson Rixon","description":"\u003cp\u003eThis publication is written within the field of fotografisk gestaltning (photography) and is a study of the potential for queer community to emerge through photographic acts. It consists of two artworks that have been presented in a series of exhibitions, published texts, workshops, and lectures.\u003c\/p\u003e\n\u003cp\u003ePublished by Art And Theory Publishing\u003cbr\u003eSoftcover\u003cbr\u003e206 pages\u003cbr\u003e130 x 190 mm \u003cbr\u003eISBN 9789188031037\u003c\/p\u003e","brand":"Art And Theory Publishing","offers":[{"title":"Default Title","offer_id":37663515672765,"sku":"QCTPAAKR01","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Screenshot2022-04-08at12.57.18.png?v=1649419085"},{"product_id":"the-xenofeminist-manifesto-a-politics-for-alienation","title":"The Xenofeminist Manifesto: A Politics for Alienation","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA pocket colour manifesto for a new futuristic feminism.\u003c\/p\u003e\n\u003cp\u003eInjustice should not simply be accepted as “the way things are.” This is the starting point for The Xenofeminist Manifesto, a radical attempt to articulate a feminism fit for the twenty-first century.\u003c\/p\u003e\n\u003cp\u003eUnafraid of exploring the potentials of technology, both its tyrannical and emancipatory possibilities, the manifesto seeks to uproot forces of repression that have come to seem inevitable—from the family, to the body, to the idea of gender itself. If nature is unjust, change nature!\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePublished by Verso\u003cbr\u003eSoftcover\u003cbr\u003e96 pages\u003cbr\u003e110 x 180 mm\u003cbr\u003eISBN 9781788731577\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":37725943922877,"sku":"TXMAPFA","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/XenofeministManifesto_cover.jpg?v=1607987531"},{"product_id":"designing-disorder-experiments-and-disruptions-in-the-city","title":"Designing Disorder Experiments and Disruptions in the City, Pablo Sendra and Richard Sennett","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"edition-single--book-teaser\"\u003ePlanners, privatisation, and police surveillance are laying siege to urban public spaces. The streets are becoming ever more regimented as life and character are sapped from our cities. What is to be done? Is it possible to maintain the public realm as a flexible space that adapts over time? Can disorder be designed?\u003c\/p\u003e\n\u003cp class=\"edition-single--book-teaser\"\u003eFifty years ago, Richard Sennett wrote his groundbreaking work The Uses of Disorder, arguing that the ideal of a planned and ordered city was flawed, likely to produce a fragile, restrictive urban environment. The need for the Open City, the alternative, is now more urgent that ever. In this provocative essay, Pablo Sendra and Richard Sennett propose a reorganisation of how we think and plan the life of our cities. What the authors call 'infrastructures for disorder' combine architecture, politics, urban planning and activism in order to develop places that nurture rather than stifle, bring together rather than divide, remain open to change rather than rapidly stagnate.\u003c\/p\u003e\n\u003cp class=\"edition-single--book-teaser\"\u003eDesigning Disorder is a radical and transformative manifesto for the future of twenty-first-century cities.\u003c\/p\u003e\n\u003cdiv class=\"edition-single--book-description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Verso\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e160 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e150 x 220 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN 9781788737838\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verso","offers":[{"title":"Softcover","offer_id":42926078656726,"sku":"DDPSRC01S","price":14.0,"currency_code":"EUR","in_stock":false},{"title":"Hardcover","offer_id":42926078689494,"sku":"DDPSRC01H","price":17.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Screenshot2021-12-09at16.58.23.png?v=1639069120"},{"product_id":"feminist-city-claiming-space-in-a-man-made-world","title":"Feminist City: Claiming Space in a Man-Made World","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"edition-single--book-teaser\"\u003eFeminist City is an ongoing experiment in living differently, living better, and living more justly in an urban world.\u003c\/p\u003e\n\u003cp class=\"edition-single--book-teaser\"\u003eWe live in the city of men. Our public spaces are not designed for female bodies. There is little consideration for women as mothers, workers or carers. The urban streets often are a place of threats rather than community. Gentrification has made the everyday lives of women even more difficult. What would a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment.\u003c\/p\u003e\n\u003cp class=\"edition-single--book-teaser\"\u003eIn Feminist City, through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities built into our cities, homes, and neighborhoods. Kern offers an alternative vision of the feminist city. Taking on fear, motherhood, friendship, activism, and the joys and perils of being alone, Kern maps the city from new vantage points, laying out an intersectional feminist approach to urban histories and proposes that the city is perhaps also our best hope for shaping a new urban future. It is time to dismantle what we take for granted about cities and to ask how we can build more just, sustainable, and women-friendly cities together.\u003c\/p\u003e\n\u003cdiv class=\"edition-single--book-description\"\u003e\n\u003cp\u003ePublished by Verso\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e224 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e140 x 210 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN 9781788739818\u003c\/span\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verso","offers":[{"title":"Softcover","offer_id":40915716899005,"sku":"FCLK02S","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"Hardcover","offer_id":40915716866237,"sku":"FCLK01H","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/9781788739825-68ecfa217aa05c1afbcf5a8873ab53f4.jpg?v=1634745203"},{"product_id":"females-andrea-long-chu","title":"Females, Andrea Long Chu","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAn exploration of gender and desire from our most exciting new public intellectual.\u003c\/p\u003e\n\u003cp\u003e“Everyone is female, and everyone hates it.” \u003cbr\u003eFemales is Andrea Long Chu’s genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.\u003c\/p\u003e\n\u003cp\u003eDrawing inspiration from a forgotten play by Valerie Solanas—the woman who wrote the SCUM Manifesto and shot Andy Warhol—Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn. 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It reclaims and records black women’s place in that history, documenting their day-to-day struggles, their experiences of education, work and health care, and the personal and political struggles they have waged to preserve a sense of identity and community. First published in 1985 and winner of the Martin Luther King Memorial Prize that year, The Heart of the Race is a testimony to the collective experience of black women in Britain, and their relationship to the British state throughout its long history of slavery, empire and colonialism.\u003c\/p\u003e\n\u003cp\u003eThis new edition includes a foreword by Lola Okolosie and an interview with the authors, chaired by Heidi Safia Mirza, focusing on the impact of their book since publication and its continuing relevance today\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by Verso\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSoftcover\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e304 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e140 x 210 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9781786635860\u003c\/span\u003e\u003c\/p\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":37726107730109,"sku":"HOTR","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/HeartoftheRace.jpg?v=1607990527"},{"product_id":"the-social-photo-nathan-jurgenson","title":"The Social Photo, Nathan Jurgenson","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eThe Social Photo: On Photography and Social Media\u003c\/em\u003e by Nathan Jurgenson is a set of bold theoretical reflections on how the social photo has remade our world.\u003c\/p\u003e\n\u003cp\u003eWith the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens by which many of us apprehend and communicate our experience. But our thinking about photography has been slow to catch up; this major fixture of everyday life is still often treated in the terms of art or journalism.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eThe Social Photo\u003c\/em\u003e, social theorist Nathan Jurgenson develops bold new ways of understanding the transformations wrought by these image-making and sharing technologies and the cultural objects they have ushered in: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows how these devices and platforms have remade the world and our understanding of ourselves within it.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by Verso\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSoftcover\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e144 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e145 x 220 mm \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9781786635440\u003c\/span\u003e\u003c\/p\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":37726130897085,"sku":"TSPNJ01","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/TheSocialPhoto.jpg?v=1607990895"},{"product_id":"art-isnt-fair-allan-sekula","title":"Art Isn't Fair, Allan Sekula","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eArt Isn’t Fair\u003c\/em\u003e is the title of the last video completed in 2012 by Allan Sekula (1951-2013), a work commenting on the rise of art fairs as yet another international gathering of moneyed elites. This new compilation of textual, photographic and filmic essays underscores Sekula’s longstanding engagement with the many intersections between art, photography, and the shifting terrain of power struggles from both a local and international perspective. Bringing together an ensemble of works that Sekula never had the chance to publish together before his death in 2013, this new collection expands our sense of the persistent depth and breadth of Sekula’s concerns and commitments.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe volume includes the widely-cited extended Sekula essay, “The Body and the Archive” (1986), less well-known but equally comprehensive historical critiques such as “Photography between Labour and Capital” (1983), the artist’s reconsideration of his own early work, plus numerous essays on other artists and photographers from Walker Evans to Robert Mapplethorpe, Susan Meiselas, James Benning and the contemporary Canadian masters of political montage, Carole Condé \u0026amp; Karl Beveridge. The volume concludes with the narrative transcript along with select stills from Art Isn’t Fair.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by MACK Books\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSoftcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e344 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e215 x 277 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9781912339846\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":37730885238973,"sku":"AIFAS","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/AllanSekulaArtIsn_tFair.jpg?v=1609280345"},{"product_id":"shame-and-masculinity","title":"Shame! and Masculinity","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSince the Me Too movement, masculine exercise of power, and sexual abuse have been widely brought under close scrutiny. The focus on ‘toxic’ masculinity impacts our perception of male sexuality, which substantially influences the self-image and self-esteem of men. Men are being shamed by others for their transgressive and contemptuous attitudes; and they feel intrinsically ashamed of their own wrong-doings or of the virulent patterns and traditions of Western manhood.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book explores both positions. It looks at the representation of male sexuality, nudity, fatherhood, male violence, rape, fascism and virility, men and war. It shows works of art that deal with the intricacies and contradictions of these socio-cultural constructs and realities. Shame! and Masculinity is hybrid in terms of genre, combining scholarly essays with short stories, personal testimonies, and provocative and intimate artist’s contributions. It stimulates reflection on shame in collusion with masculinity, from male as well as female perspectives. Thus it encourages us to reimagine these issues that simultaneously play a role in society, in our own experience, in history, and in our own bodies and being.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEditor: Ernst van Alphen \u003cbr\u003eContributors: Ernst van Alphen, Lorenzo Benadusi, Jeannette Christensen, Marlene Dumas, Adeola Enigbokan, Tijs Goldschmidt, Arnoud Holleman, Hans Hovy, Natasja Kensmil, Wahbie Long, Nalini Malani, Maaike Meijer, Philip Miller, Andrea Petö, Lotte Schröder, Artur Żmijewski, Ina van Zyl\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by Valiz\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSoftcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e208 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" mce-data-marked=\"1\"\u003e170 x 235 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9789492095923\u003c\/span\u003e\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":37754404110525,"sku":"SAM01","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Shame_AndMasculinity_cover.jpg?v=1608398914"},{"product_id":"wicked-arts-assignments","title":"Wicked Arts Assignments","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eSparks art practices, art education and creativity by setting inspiring frameworks and questions\u003c\/li\u003e\n\u003cli\u003eStimulates cooperation and cross-disciplinary thinking and practising\u003c\/li\u003e\n\u003cli\u003eFunny, crazy, awe-inspiring, poetical, bold; in its bandwidth a truly provocative collection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWicked Arts Assignments are bold, unusual, contrary, funny, poetical, inspiring, socially committed, or otherwise challenging. Everyone who teaches art knows them: the assignment that is seemingly simple but which challenges participants, students and pupils to the max. Many artists and arts teachers have that singular, personal, often-used assignment in which everything comes together: their artistic vision, their pedagogical approach and their love for certain techniques or methods.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe almost hundred arts assignments collected here connect to the visual arts, performance, theatre, music and design, but more importantly: they encourage cross-disciplinarity. They reflect themes and ways of working in contemporary arts, offering opportunities to learn about ourselves, the arts and the world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first part of this book provides a theoretical view on arts assignments from historical, artistic and educational perspectives, complemented by interviews with experts in contemporary arts and education. 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In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"scope_book_description\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eEach of the twenty-eight dialogues in this book explores a particular topic of relevance to art institutions today, and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. 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This sense of open possibility would be the ultimate guarantor of the enduring strength and relevance of the museum form.\"\u003cbr\u003e –\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAndrás Szántó\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCONVERSATION PARTNERS: Marion Ackermann, Cecilia Alemani, Anton Belov, Meriem Berrada, Daniel Birnbaium, Tom Campbell, Tania Cohen, Rhana Devenport, Maria Mercedes Gonzales, Max Hollein, Sandra Jackson-Dumont, Mami Kataoka, Brian Kennedy, Koyo Kouoh, Sonia Lawson, Adam Levine, Victoria Noorthoorn, Hans Ulrich Obrist, Anne Pasternak, Adriano Pedrosa, Suhanya Raffel, Axel Ruger, Katrina Sedwick, Franklin Sirmans, Eugene Tan, Phil Tinari, Marc-Olivier Wahler, Marie-Cecile Zinsou.\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" itemprop=\"description\"\u003ePublished by \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eHatje Cantz\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp class=\"spec\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e320 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan mce-data-marked=\"1\"\u003e190 x 120 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN \u003cmeta charset=\"utf-8\"\u003e 9783775748278\u003c\/span\u003e\u003c\/p\u003e","brand":"Hatje Cantz","offers":[{"title":"Default Title","offer_id":37905481105597,"sku":"TFOTMAS","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Andras_Szanto_The-Future-of-the-Museum_9783775748278_0.jpg?v=1610661140"},{"product_id":"recipes-for-the-future","title":"Recipes for the Future","description":"\u003cp data-mce-fragment=\"1\"\u003eSixteen culture-makers who are Zeitzeugen (contemporary witnesses) of the COVID-19 pandemic sketch how things can be different in the future. Their visions for the future came about as a reaction to the disruption of their plans for 2020, and have one thing in common: the ambition to change and to widen the limits of our imagination.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe visions and recipes of these writers, academics, philosophers, singers, visual artists, theatre-makers and designers working in the Netherlands and Germany, paint a heterogeneous picture. They develop through themes such as real utopias, sustainability, the new domesticity, and the role of cultural institutions in our society.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis collection is flavoured with the food recipes that every maker has contributed. The menu ranges from eating earth to corona ice cream, from French toast to Mushrooms at the end of the world, and tastes like more.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e Lene ter Haar, Valérie-Anne Houppermans, Astrid Kaminski, and Beate Gerlings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eContributors: \u003c\/strong\u003eCees Nooteboom, Chloé Rutzerveld, Eva Meijer, David Duindam, Claudia Martinez Garay \u0026amp; Arturo Kaneya, Jonas Staal, Impakt Festival (Lancel\/Maat, onseconds \u0026amp; Ali Eslami), Tim van der Loo, New Heroes Foundation, MVRDV, Miloš Trakilović, Kinke Kooi \u0026amp; Lisa Klosterkötter, Ariëlla Kornmehl, Sabine Kühlich \u0026amp; Guests, Annemie Vanackere \u0026amp; Walter Bart \u0026amp; Jeroen Versteele, Rolando Vázquez, Melken \u0026amp; Lies Mensink, and Sanne Blauw.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished by Onomatopee\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e384 pages\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e170 x 240 mm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eISBN 9789493148413\u003c\/span\u003e\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":38098521620669,"sku":"RFTF","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/RecipesfortheFuture_01.jpg?v=1613414540"},{"product_id":"figure-ground","title":"Numbered Editions 1: figure | ground","description":"\u003cp\u003eFigure-ground perception is the cognitive mechanism through which we apprehend our surroundings, isolating the figure – the words on the page, the features of a face, the lines on a map – from the background. It is how we orient ourselves, how we communicate, how we mediate and make order out of the torrential flux of sensory information around us, the well of what William James called ‘pure experience’. It is also one of the key principles of modern cartographic design.\u003c\/p\u003e\n\u003cp\u003eThis concept – with its connections to ideas of mapmaking, orientation, and cognition – became the organising principle of figure | ground, a publication featuring work by a range of artists and writers from around the world, published in December 2020. This is the first in a series of Numbered Editions, an experimental imprint for artists’ writing, co-founded by Nathan O’Donnell and Marysia Wieckiewicz-Carroll.\u003c\/p\u003e\n\u003cp\u003eThe publication has its origins in a 12-day curated residency at Cow House Studios in 2017, organised in collaboration with the centre’s director, Frank Abruzesse. Through a series of interactions – with facilitators and guest lecturers Christodoulos Makris, Sarah Pierce, Barry Dalby, Francis Halsall, Paul Ferguson, and Conor McGarrigle – the group of resident artists developed a set of questions in relation to cartographic practice, developing processes and propositions around (dis)orientation, non-Western mapping practices, walking-as-research, the psychogeography of the rural.\u003c\/p\u003e\n\u003cp\u003eContributing artists: Jennifer Brant, Marianne Hoffmeister Castro, Serena Lee, Eoghan McIntyre, Julia Mejnertsen, Wendy Peza, Sheilah (Wilson) ReStack, and Abigail Taubman.\u003c\/p\u003e\n\u003cp\u003ePublished by Numbered Editions\u003cbr\u003eSoftcover\u003cbr\u003e155 × 247 mm\u003cbr\u003eISSN 256563631\u003c\/p\u003e","brand":"Numbered Editions","offers":[{"title":"Default Title","offer_id":39400293597373,"sku":"NE1FG01","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/FigureGroundCover_b0d3da8d-15c5-40c2-8d25-c9c54c635ed3.jpg?v=1616081164"},{"product_id":"curator-conversations","title":"Curator Conversations","description":"\u003cp\u003e\u003cem\u003eCurator Conversations\u003c\/em\u003e is a collection of interviews with leading curators working within contemporary photography today. It offers precious insights into key modes of thinking behind the curatorial practices that have resulted in influential and landmark exhibitions at galleries and museums across the globe, including MoMA, Tate Modern, Pompidou Centre, Fotomuseum Winterthur, Finnish Museum of Photography, Zeitz MOCAA – Museum of Contemporary Art Africa, Instituto Moreira Salles and SCôP: Shanghai Center of Photography, among others. \u003cbr\u003e\u003cbr\u003eTheir contributions provide wide-ranging discussions and a strong sense of critical self-reflexivity to explore the various ways curating mediates our experience and understanding of the photographic image. Among the fundamental questions engaged in the book are the medium specificity of photography; exhibitions as ‘artwork’; critical contexts for imagery; the curator’s role; collaboration and community; notions of ethics, responsibility and care; relationships between artists and curators, museums and audiences; as well as propositions for ‘decolonisation’ through forms of curatorial activism. Ultimately, this volume sheds light on the aesthetic, political and personal concerns of creative individuals involved in exhibition-making, generating new pathways for thinking about the display and dissemination of photography. \u003cbr\u003e\u003cbr\u003eFeaturing Sarah Allen, Mariama Attah, Yves Chatap, Clément Chéroux, Charlotte Cotton, Marta Dahó, Christine Eyene, Louise Fedotov-Clements, Yining He, Tom Lovelace, Roxana Marcoci, Shoair Mavlian, Renée Mussai, Thyago Nogueira, Azu Nwagbogu, Danaé Panchaud, Alona Pardo, Anna-Kaisa Rastenberger, Holly Roussell, Drew Sawyer, Kathrin Schönegg, Urs Stahel, Lisa Sutcliffe, Nadine Wietlisbach and Duncan Wooldridge.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePublished by 1000 Words\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSecond Edition \u003cbr\u003eSoftcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e160 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" mce-data-marked=\"1\" data-mce-style=\"font-weight: 400;\"\u003e198 x 129 mm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eISBN\u003cspan data-mce-fragment=\"1\"\u003e 9781527279131\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"1000 Words","offers":[{"title":"Default Title","offer_id":39507663782077,"sku":"","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/CuratorConversations_Cover.webp?v=1702728317"},{"product_id":"navigating-the-art-world-professional-practice-for-the-early-career-artist","title":"Navigating the Art World: Professional Practice for the Early Career Artist","description":"\u003cp\u003eThis business book is aimed at early career artists and helps to equip them with the practical tools needed to approach their careers, shining light upon some things that are often hidden from view. It has been written as a series of opinion pieces rather than a how-to guide, and covers such topics as how to exhibit and sell your works, as well as things like how to stay motivated, and how to deal with the periods of insecurity that a career in the arts can often create.\u003c\/p\u003e\n\u003cp\u003eThe process of entering the art world and forging a career can be fraught with obstacles to overcome, and so we have written this guide to make the journey as stress-free as possible. Navigating The Art World consists of a mix of advice and tips from ourselves, as well as gallerists, curators, artists, collectors, and other industry experts to give some insight on various ways to enhance your art career. Contributors include Maureen Paley, Jake Chapman, Andy Dixon, Kristin Hjellegjerde, Claus Busch Risvig, and many others.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePublished by Delphian Gallery\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSoftcover\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e112 pages\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" mce-data-marked=\"1\" data-mce-style=\"font-weight: 400;\"\u003e111 x 180 mm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eISBN\u003cspan data-mce-fragment=\"1\"\u003e 9781999799045\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Delphian Gallery","offers":[{"title":"Default Title","offer_id":39528091779261,"sku":"NTAWPPFTECA","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/NavigatingtheArtWorld_cover_1.jpg?v=1617721786"},{"product_id":"punk-troubles-northern-ireland-toby-mott","title":"Punk Troubles: Northern Ireland, Toby Mott","description":"\u003cp\u003ePunk Troubles: Northern Ireland examines the subject of Northern Ireland punk in the context of sectarianism. The book offers a new and unique perspective on The Troubles and the NI punk scene by explicitly highlighting connections between the two. The crude immediacy of the NI punk aesthetic and message is shown in relation to the political propaganda of the same period. The striking images used give an idea of the power of punk in Northern Ireland, producing an uncompromising look at The Troubles and the younger, frustrated generation’s response to this conflicted period in Northern Irish history. A timeline of key NI events creates a dialogue between the history and the material represented. With an in-depth interview with Paul Burgess, principal songwriter of Ruefrex and a key figure in the NI punk scene, who says about NI at that time, ‘If you’re not confused you haven’t understood the situation’.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePublished by Dashwood Books\u003cbr\u003e Softcover\u003cbr\u003e99 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e280 mm x 220 mm\u003cbr\u003eISBN 9780996657440\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Dashwood Books","offers":[{"title":"Default Title","offer_id":39603815055549,"sku":"PTNITM01","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Capture-One-Session3172.jpg?v=1618577014"},{"product_id":"strangers-rebecca-tamas","title":"Strangers, Rebecca Tamás","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIn Strangers, Rebecca Tamás explores where the human and nonhuman meet, and why this delicate connection just might be the most important relationship of our times. From ‘On Watermelon’ to ‘On Grief’, Tamás’s essays are exhilarating to read in their radical and original exploration of the links between the environmental, the political, the folkloric and the historical. From thinking stones, to fairgrounds, from colliding planets to transformative cockroaches, Tamás’s lyrical perspective takes the reader on a journey between body, land and spirit—exploring a new ecological vision for our fractured, fragile world.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by Makina Books\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e116 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e198 x 150 mm\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eISBN 9781916060890\u003c\/span\u003e\u003c\/p\u003e","brand":"Makina Books","offers":[{"title":"Default Title","offer_id":39655656816829,"sku":"SRT01","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/413fQgYEL-L.jpg?v=1619184444"},{"product_id":"the-african-lookbook-a-visual-history-of-100-years-of-african-women","title":"The African Lookbook: A Visual History of 100 Years of African Women","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAn unprecedented visual history of African women told in striking and subversive historical photographs – featuring an Introduction by Edwidge Danticat and a Foreword by Jacqueline Woodson.\u003c\/p\u003e\n\u003cp\u003eMost of us grew up with images of African women that were purely anthropological –bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty – “poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos to present a visual history spanning a hundred-year arc (1870–1970) of what is among the earliest photography on the continent. These images tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods.\u003c\/p\u003e\n\u003cp\u003eFeaturing works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans – most starkly, striking nudes – revealing the relationships between white men and the Black female sitters where, at best, a grave power imbalance lies. It's a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways – even if it's only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women's self-expression, revealing a truly glorious display of everyday beauty. \u003c\/p\u003e\n\u003cp\u003ePublished by Bloomsbury\u003cbr\u003eHardcover\u003cbr\u003e240 pages\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e220 x 170 mm\u003cbr\u003eISBN 9781620403532\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Bloomsbury","offers":[{"title":"Default Title","offer_id":39702060630205,"sku":"TAL01","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/9781620403532.jpg?v=1619792234"},{"product_id":"curatorial-activism-maura-reilly","title":"Curatorial Activism, Maura Reilly","description":"\u003cp\u003eDespite decades of postcolonial, feminist, anti-racist and queer activism and theorizing, the art world continues to exclude ‘Other’ artists – those who are women, of colour and LGBTQ. Indeed, the more closely one examines the numbers, the more glaring it becomes that white, Euro-American, heterosexual, privileged and, above all, male artists continue to dominate the art world. The fight for gender and race equality continues apace.\u003c\/p\u003e\n\u003cp\u003eFocusing on themes of feminism, race and sexuality, Curatorial Activism examines the pioneering exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Nochlin’s ‘Women Artists’ at the LACMA in the mid-1970s to Martin’s ‘Carambolages’ in 2016 at the Grand Palais in Paris. By exposing both the disparities and inclusive solutions, Reilly addresses the urgent need in the contemporary art world for curatorial strategies that provide alternatives to exclusionary models of collecting and display. In so doing, she provides an invaluable source of information for current thinkers and, in a world dominated by visual culture, a vital source of inspiration for today’s ever-expanding new generation of curators. Lucy Lippard, the renowned activist and early champion of feminist art, contributes a foreword.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePublished by Thames \u0026amp; Hudson\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHardcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e240 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" 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id=\"block-5ee482cd61fc0082b5d9\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/article\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/article\u003e\n\u003c\/main\u003e\u003cfooter class=\"sections\" id=\"footer-sections\" data-footer-sections=\"\"\u003e\n\u003csection class=\"page-section\n    \n      layout-engine-section\n    \n    background-width--full-bleed\n    \n      section-height--small\n    \n    \n      content-width--wide\n    \n    horizontal-alignment--center\n    vertical-alignment--middle\" data-section-id=\"5e9c7c8a118efd39e06fd462\" data-controller=\"SectionWrapperController, MagicPaddingController\" data-current-styles='{\n  \"imageOverlayOpacity\": 0.15,\n  \"video\": {\n    \"playbackSpeed\": 0.5,\n    \"filter\": 2,\n    \"filterStrength\": 0,\n    \"zoom\": 0\n  },\n  \"backgroundWidth\": \"background-width--full-bleed\",\n  \"sectionHeight\": 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Comprising contributions from scholars and practitioners, it examines how new media technologies are shaping the island’s contemporary artistic practices. As one of the first dedicated treatments of Irish digital art, it fills a major gap in the national media archaeology of Ireland. Edited by James O'Sullivan.\u003c\/p\u003e\n\u003cp\u003ePublished by Anthem Press\u003cbr\u003e164 pages\u003cbr\u003e150 x 230 mm\u003cbr\u003eHardcover\u003cbr\u003eISBN 9781785274800\u003c\/p\u003e","brand":"Anthem Press","offers":[{"title":"Default Title","offer_id":39918314487997,"sku":"DAIINMAIAP01","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/71As1hpQ0WS.jpg?v=1622474979"},{"product_id":"research-for-people-who-think-they-would-rather-create-dirk-vis","title":"Research for People Who Think They Would Rather Create, Dirk Vis","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWhat is artistic research? What is a research document? How do these relate to the making process, invention, and creativity? What exactly is expected of me? If you have ever asked yourself any of these questions, then this book is for you. Research For People Who (Think They) Would Rather Create addresses all relevant aspects that need to be considered during a research and documentation process, such as: finding the right topic and approach; formulating your research question; working out your methods; choosing one or more suitable writing styles; and considering the possible roles of visual, virtual, auditory, embodied, and spatial materials.\u003c\/p\u003e\n\u003cp\u003eResearch For People Who (Think They) Would Rather Create shows a multitude of examples from the field of art and design – each of which illustrates one specific aspect of developing a thesis, essay, paper, research document, or however else it may be referred to in your own setting. You can read this book from cover to cover, or you can immediately flip to those subjects which you find most relevant at any given moment. 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PhotoIreland brought together artists and professionals to question various aspects of food production and consumption, sometimes to highlight an issue, put forward a question and sometimes provide a solution, around what it means to feed and to eat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eTo encourage pertinent and fresh discourse, a number of professionals from outside the art world were invited to join artists in discussing the issues touched. This, in turn, offered a deeper arena where Photography, the Arts, can be interpreted within other disciplines and teased out within our social lives.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eAt the time of PhotoIreland Festival 2021 festival, when these conversations were held, the Covid-19 pandemic was still rife. Although restrictions were slowly easing, allowing physical exhibitions, gatherings such as in-person talks and parties, or opportunities for commensality were not yet permitted. The festival programme was thus an amalgamation of in-person and online events, comprising three exhibitions and an active online programme of screenings, talks, and a critical cooking channel.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eThe publication you hold in your hands forms an integral chapter of the festival proposition, with the aim to remember, archive, and reflect, not only the events and exhibitions, but on this point in our contemporary food culture, what discussions mattered at the time of its conception and how they influenced the time \u003ci\u003enow\u003c\/i\u003e, whenever \u003ci\u003enow\u003c\/i\u003e may be.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eIn this way, this publication is released as a retrospective and a record of PhotoIreland Festival 2021: \u003ci\u003eBite the Hand That Feeds You\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArtists:\u003cbr\u003eAlan Phelan, Ana Núñez Rodríguez, April Gertler, Bryony Dunne, Caoimhín Gaffney, Dániel Szalai, Deirdre O’Mahony, Fiona Hallinan, Gê Viana, Greta Alfaro, Hans van der Meer, Hertta Kiiski, Jennie Moran, Jennifer Mehigan, Ksenia Yurkova, Lana May Fleming, Mary Lelo Thebe, Mathieu Asselin, Róisín White, Sheng-Wen Lo, The Center for Genomic Gastronomy, Vicki Thornton, Viktoria Schmid.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by PhotoIreland\u003cbr\u003eFirst Edition of 200\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover\u003cbr\u003e204 pages\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e170 x 240mm\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN 9781999739423\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdited by Julia Gelezova\u003cbr data-mce-fragment=\"1\"\u003eDesigned by Ángel Luis González Fernández\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eThe publication was generously supported by the Arts Council of Ireland and FRAME Finland.\u003c\/strong\u003e\u003c\/p\u003e","brand":"PhotoIreland","offers":[{"title":"Default Title","offer_id":40084134068413,"sku":"BTHTFY01","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/PhotoIreland_BTHTFY_Cover_3.jpg?v=1693412890"},{"product_id":"being-a-border-nuit-banai","title":"Being a Border, Nuit Banai","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBorder thinking has become a defining feature of the global social order in the twenty-first century. 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