{"title":"Art \u0026 Critical Theory","description":"\u003ch3\u003eA selection of materials on Art \u0026amp; Critical Theory.\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"migrant-mother-migrant-gender-sally-stein","title":"Migrant Mother, Migrant Gender, Sally Stein","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003ecentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers—particularly Dorothea Lange, Marion Post Wolcott, Jack Delano—as well as the contested image of FDR.  Her numerous essays about popular mass media –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLadies Home Journal\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLife\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLook\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by MACK Books\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSilkscreen Paperback\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e128 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e125 x 195 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9781912339839\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":36475796029590,"sku":"MMMGSS01","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/MMMG1.png?v=1601569295"},{"product_id":"bite-the-hand-that-feeds-you","title":"Bite the Hand that Feeds You","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003eFood is a precious commodity, it has power, it can be a protest or an act of care, it can control, it nourishes us not just biologically, but socially and culturally. PhotoIreland brought together artists and professionals to question various aspects of food production and consumption, sometimes to highlight an issue, put forward a question and sometimes provide a solution, around what it means to feed and to eat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eTo encourage pertinent and fresh discourse, a number of professionals from outside the art world were invited to join artists in discussing the issues touched. This, in turn, offered a deeper arena where Photography, the Arts, can be interpreted within other disciplines and teased out within our social lives.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eAt the time of PhotoIreland Festival 2021 festival, when these conversations were held, the Covid-19 pandemic was still rife. Although restrictions were slowly easing, allowing physical exhibitions, gatherings such as in-person talks and parties, or opportunities for commensality were not yet permitted. The festival programme was thus an amalgamation of in-person and online events, comprising three exhibitions and an active online programme of screenings, talks, and a critical cooking channel.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eThe publication you hold in your hands forms an integral chapter of the festival proposition, with the aim to remember, archive, and reflect, not only the events and exhibitions, but on this point in our contemporary food culture, what discussions mattered at the time of its conception and how they influenced the time \u003ci\u003enow\u003c\/i\u003e, whenever \u003ci\u003enow\u003c\/i\u003e may be.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eIn this way, this publication is released as a retrospective and a record of PhotoIreland Festival 2021: \u003ci\u003eBite the Hand That Feeds You\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArtists:\u003cbr\u003eAlan Phelan, Ana Núñez Rodríguez, April Gertler, Bryony Dunne, Caoimhín Gaffney, Dániel Szalai, Deirdre O’Mahony, Fiona Hallinan, Gê Viana, Greta Alfaro, Hans van der Meer, Hertta Kiiski, Jennie Moran, Jennifer Mehigan, Ksenia Yurkova, Lana May Fleming, Mary Lelo Thebe, Mathieu Asselin, Róisín White, Sheng-Wen Lo, The Center for Genomic Gastronomy, Vicki Thornton, Viktoria Schmid.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by PhotoIreland\u003cbr\u003eFirst Edition of 200\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover\u003cbr\u003e204 pages\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e170 x 240mm\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN 9781999739423\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdited by Julia Gelezova\u003cbr data-mce-fragment=\"1\"\u003eDesigned by Ángel Luis González Fernández\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eThe publication was generously supported by the Arts Council of Ireland and FRAME Finland.\u003c\/strong\u003e\u003c\/p\u003e","brand":"PhotoIreland","offers":[{"title":"Default Title","offer_id":40084134068413,"sku":"BTHTFY01","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/PhotoIreland_BTHTFY_Cover_3.jpg?v=1693412890"},{"product_id":"a-modest-proposal-jonathan-swift","title":"A Modest Proposal, Jonathan Swift","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eLittle Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA Modest Proposal is Swift's devastating short satire on how to solve a famine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Penguin Classics\u003cbr data-mce-fragment=\"1\"\u003eSoftcover\u003cbr data-mce-fragment=\"1\"\u003e64 pages\u003cbr data-mce-fragment=\"1\"\u003e161 x 111 mm\u003cbr data-mce-fragment=\"1\"\u003eISBN 9780141398181\u003c\/p\u003e","brand":"Penguin","offers":[{"title":"Default Title","offer_id":40870525796541,"sku":"AMPJS","price":4.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/image_26a26421-7693-4c79-b2c2-40f36f5f693e.jpg?v=1634038829"},{"product_id":"dynamics-of-the-photobooks-market-tiffany-jones","title":"Dynamics of the Photobooks Market, Tiffany Jones","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile artistic concerns involving photobook design and production are commonly discussed in critical terms, marketing and economics issues are less so. A possible explanation is that photobook publishers are inclined to approach their business from the perspective of it being arts-based and, “The arts have for too long simultaneously spurned and feared business; mystification has kept both business and the arts from learning from each other.” (Labossiere)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith shifting publishing and distribution paradigms, photobook publishers must do more to attract new audiences for their businesses to survive. In this research, Photobook buyers are asked about their interests, preferences and purchasing habits; sellers are asked about their business operations, sales volume and marketing and promotional activities; publishers are questioned about their funding sources, distribution channels, and prospects for future viability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChapters include: Preface, Literature Review, Research Overview, Survey Data: Photobook Buyers, Survey Data: Photobook Sellers, Survey Data: Photobook Publishers, Conclusion and References\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePublished by Overlapse\u003cbr\u003eSecond Printing\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSoftcover\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e124 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e110 x 160 mm\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Overlapse","offers":[{"title":"Default Title","offer_id":42425224134870,"sku":"DOTPMTJ02","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Dynamics-Photobooks-Market-Tiffany-Jones.jpg?v=1643369269"},{"product_id":"gather-niamh-omalley","title":"Gather, Niamh O'Malley","description":"\u003cp\u003eAn artist’s book published by Temple Bar Gallery + Studios coincides with the opening of Niamh O’Malley’s exhibition, Gather, at La Biennale di Venezia in April 2022. Designed by Alex Synge \/ The First 47, this visual document and object augments O’Malley’s exhibition with new images and writings, including commissioned responsive texts by Brian Dillon, Lizzie Lloyd and Eimear McBride. The book also includes contributions from Niamh O'Malley and the Temple Bar Gallery + Studios Curatorial Team, Clíodhna Shaffrey and Michael Hill. Essays in English and Italian with translations by Aurelia di Meo. Photography by Ros Kavanagh screen printed with gloss UV varnish.\u003c\/p\u003e\n\u003cp\u003eContributors: Niamh O’Malley, Eimear McBride, Brian Dillon, Lizzie Lloyd, Clíodhna Shaffrey, Michael Hill\u003c\/p\u003e\n\u003cp\u003ePublished by TBG+S\u003cbr\u003eSoftcover\u003cbr\u003e190 pages\u003cbr\u003e240 x 170 mm\u003cbr\u003eISBN 9781399918756\u003c\/p\u003e","brand":"TBG+S","offers":[{"title":"Default Title","offer_id":42908929851606,"sku":"GNOM","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/GatherNiamhOMalley_FrontCover_940x_ccfcbca1-d51c-4b09-b008-8361b5decfbc.webp?v=1658842081"},{"product_id":"the-architecture-of-chance-christodoulos-makris","title":"The Architecture of Chance, Christodoulos Makris","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristodoulos Makris’ second full collection, blends painstaking poetic craft with the accidental hazards of found text and overheard sample. As challenging as it is accessible, these poems comment wittily yet unsparingly on the cultural, economic and political textures of twenty-first century life. \u003c\/span\u003eIts compositional methods are wide-ranging: among them are poems written with Oulipo-esque formal constraints, collage poems from found\/appropriated text, emails presented as poems and a Twitter data widget poem. This list is not exhaustive and there are also many narrative poems, poems one would hesitate to call traditional. This focus on composition moves towards explaining the book’s title, its paradoxical concern with orchestrating multiple possibilities.\u003c\/p\u003e\n\u003cp\u003ePublished by Wurm Press\u003cbr\u003eSoftcover\u003cbr\u003e110 pages\u003cbr\u003e140 x 220 mm\u003cbr\u003eISBN 9780956373298         \u003c\/p\u003e","brand":"Wurm Press","offers":[{"title":"Default Title","offer_id":42917960122582,"sku":"TAOCCM01","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Architecture-of-Chance-front-cover.jpg?v=1652112616"},{"product_id":"walking-in-the-way-performing-masculinity-pauline-cummins-and-frances-mezzetti","title":"Walking in the Way: Performing Masculinity, Pauline Cummins and Frances Mezzetti","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003e\u003cem\u003eWalking in the Way: Performing Masculinity\u003c\/em\u003e catalogues a 12 year performance art project between the artists Pauline Cummins and Frances Mezzetti. Edited by Catherine Marshall and published by WAAG (Women Artists Action Group) this retrospective book contains critically engaged essays by Catherine Marshall, Dr. Áine Phillips, Dr. Kate Antosik-Parsons and Nieves Correa as well as performance documentation over a durational period.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWalking in the Way\u003c\/em\u003e is a collaborative performance series by established artists Frances Mezzetti and Pauline Cummins. They explore control of space, stereotyping, masculinities, movement and presence.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWalking in the Way\u003c\/em\u003e was first performed in Dublin in 2009 and the artists continue to probe the possibilities to date. As feminist artists who challenge essentialist fixed identities, these Irish artists seek to make visible how gender intersects with society. They pay particular attention to how small acts and movements can be re-presented and performed in and through their “gendered” bodies.\u003c\/p\u003e\n\u003cp\u003eThe Walking in the Way performances take place in cities where the two female artists take on the mannerism, gestures and physicality of male presence in the public arena. The focus of each piece develops from the general to the particular and each one is unique to that city. The development of the work is informed by key figures from the chosen community, and an important part of the research process is informed by understandings and connections that are forged with local individuals in each of the selected cities. The performances are observational, transient works, with a unique meaning and resolution. 10 performances have taken place in 9 different cities, Dublin, Belfast, London Edinburgh, Derry\/Londonderry, Istanbul, Madrid, Seville,\u003cbr\u003eand Malaga.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePublished by \u003cspan data-mce-fragment=\"1\"\u003eWAAG (Women Artists Action Group)\u003c\/span\u003e\u003cbr\u003eEdition of 300\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\" mce-data-marked=\"1\"\u003eSoftcover with French Flaps\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e100 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\" mce-data-marked=\"1\"\u003e260 x 200mm\u003cbr\u003eISBN 9781399920766\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"WAAG","offers":[{"title":"Default Title","offer_id":42964670775510,"sku":"WITWPCFM","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/BookCoverWalkingintheWay_PerformingMasculinity.png?v=1652961613"},{"product_id":"returning-to-benjamin-victor-burgin","title":"Returning to Benjamin, Victor Burgin","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e‘In the mid-1930s, Walter Benjamin posed the question of the relation of art to the dominant representational technology of his time: photography and film. To return to the artwork essay today in the spirit in which it was written is to ask the same question in respect of the hegemonic representational technology of our own time: the digital. Benjamin found that the medium of photography and film had dissolved the auratic quality of art. Digital technology has dissolved the very category of ‘medium’ itself.’ \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eWalter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePublished by MACK Books\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSoftcover with flaps\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e40 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e125 x 195 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eISBN 9781913620912\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":43777948352726,"sku":"RTBVB","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/Screenshot2022-11-07at17.41.26.png?v=1667842941"},{"product_id":"running-feet-sharp-noses-essays-on-the-animal-world","title":"Running Feet, Sharp Noses: Essays on the Animal World","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003eWhat is it about animals? – those creatures that keep us company, a figure in a memory or folktale, the shadowy presence in a photograph, or an ancient drawing on a wall. Guides, companions, imaginary beings, hindrances, sources of fear and love ...\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRunning feet, sharp noses\u003c\/em\u003e is an essential collection of essays on the animal world. Each piece is a profound meditation on how animals affect our sense of self, our memories, our actions. This brilliant new book of non-fiction investigates – with the insights and perceptions of some of the finest writers at work today – how animals shape and determine our everyday lives, whether we realise it or not.\u003c\/p\u003e\n\u003cp\u003eWith contributions by Latifa Akay, Sara Baume, John Berger, June Caldwell, Niamh Campbell, Vona Groarke, Edward Hoagland, Tim MacGabhann, Sabrina Mandanici, Darragh McCausland, Honor Moore, Eileen Myles, Stephen Sexton, Sexton, Jessica Traynor, Erica Van Horn, and Suzanne Walsh.\u003c\/p\u003e\n\u003cp\u003ePublished by Paper Visual Art\u003cbr\u003eSoftcover\u003cbr\u003e176 pages\u003cbr\u003e110 × 175 mm\u003cbr\u003eISBN 9781916150942\u003c\/p\u003e","brand":"Paper Visual Art","offers":[{"title":"Default Title","offer_id":43998797005014,"sku":"RFSN01","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/RFSNcover.jpg?v=1675944113"},{"product_id":"contemporaneous-brand-strategy-document-christodoulos-makris","title":"Contemporaneous Brand Strategy Document, Christodoulos Makris","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e'The critique of self-absorption, mounted formally in the unpunctuated flow of the poetic voice, is also explored thematically in the transmutation of all forms of movement into opportunities for advantage. In the poem ‘risk’, motion is the archetype of capitalist possibility, but also creates an environment of threat for the expendable subject. By recycling airline instructions the poem first emphasises the traveller as consumer, but also suggests the ways in which migration itself can be turned to political advantage by elites. Again the materiality of the poem heightens this duality: the “manufacturer’s mask” offers the sustaining oxygen of the market but is out of the reach of its potential wearer.\u003c\/p\u003e\n\u003cp\u003eOnce more, neither the experiences of the individual, nor the language used to express them, can be definitively erased: “friend requests anxiety posts horny messages stressed out rants” may appear to be private, but they are in fact memorialised in silicon, merging and multiplying into the uncertain future. Language is thus both expressive of technological inundation and part of its cause. Its accumulation makes reflection more challenging, but offers a rich intertextuality from which these poems of contemporary crisis emerge.'\u003c\/p\u003e\n\u003cp\u003e- Lucy Collins, from ‘Reading Christodoulos Makris’\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Veer2\u003cbr\u003eSoftcover\u003cbr\u003e112 pages\u003cbr\u003e150 x 210 mm\u003cbr\u003eISBN 9781911567561  \u003c\/p\u003e","brand":"Veer2","offers":[{"title":"Default Title","offer_id":46472246198603,"sku":"CBSDCM01","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/products\/ContemporaneousBrandStrategyDocument_ChristodoulosMakris.png?v=1680191431"},{"product_id":"heating-up-the-seat-susanne-miggitsch","title":"Heating up the seat, Susanne Miggitsch","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSusanne Miggitsch, Heating up the Seat is a transcript of hours of bus rides through London. Conversations, soundscapes, and announcements are meticulously written down, with priority given to the loudest noise or the loudest voice(s). The result is a dense textual fabric, a hybrid between documentation and poetry. In the process, Miggitsch creates a portrait of a sound environment that belongs to a particular place. It is not surprising that Susanne Miggitsch actually comes from photography. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHer textual recording of what she hears is reminiscent of a photographic process and its attempt to depict what is seen one-to-one. 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The resulting design, produced by Trumbauer’ office in collegiate Gothic style, were ultimately the work of Afro-American architect Julian F. Abele–at a time when segregation laws prohibited him from even setting foot on the campus. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe neo-Gothic style of the Duke campus is extensive stylistically eclectic. There are seals of renowned European and North American universities; ecclesial heraldry is mixed with apparently contemporary stonemasonry. Mixed in with this, early 20th-century artefacts (also for instance, the symbol of a film camera) can be seen on heraldic shields. Duke student Nicholas Chrapliwy and art-history professor Paul B. Jaskot have improvised image analyses of these enigmatic emblems and heraldic features. They will, however remain hidden to you, the reader.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by Mark Pezinger Books\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 500\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSoftcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e76 pages\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e105  x 145 mm\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003eISBN: \u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e9783903353015\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":46624922566987,"sku":"TECHS01","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/hanakam-schuller-the-emblematic-cabinet-1-mark-pezinger-books-design-astrid-seme.jpg?v=1686155411"},{"product_id":"calypso-cave-stefan-karrer","title":"Calypso Cave, Stefan Karrer","description":"\u003cdiv\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlackforest Library No. 6 is dedicated to Calypso Cave in Malta, a magical place where Calypso, the beautiful nymph, kept Odysseus as a prisoner of love for seven years. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwiss media artist Stefan Karrer approaches this place through its photographic reception on social media platforms, and in doing so he has tracked down a comedy of errors: On October 6th 2020, Instagram celebrated its 10 year anniversary. Shortly after the social photo sharing app was launched in October 2010, Calypso's Cave on the Maltese island of Gozo was closed off to the public after a partial collapse due to geological movement. While the “stabilisation and conservation project” announced by the Ministry of Gozo is still awaiting completion, the cave on the opposite side of the bay has become increasingly popular amongst the social media community – and is now also being tagged – as #calypsocave. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eStefan Karrer's book humorously shows us how social platforms influence and change our travels and the way we consume landscape and its cultural heritage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by Mark Pezinger Books\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSoftcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e224 pages\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e105  x 145 mm\u003cbr\u003eEdition Number: 500\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003eISBN \u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e9783903353084\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":46625000259915,"sku":"CCSK","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/stefan-karrer-calypso-cave-mark-pezinger-books-design-astrid-seme-01.jpg?v=1686155547"},{"product_id":"cheat-sheet","title":"Cheat Sheet, Júlía Hermannsdóttir","description":"\u003cdiv\u003e\n\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eThe last copy is reduced in price due to slight damage on the cover.\u003c\/strong\u003e\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003cem\u003eCheat Sheet\u003c\/em\u003e by Júlía Hermannsdóttir candidly documents debilitating auto-immune illness with generosity, directness and dark humor. Júlía was just 22 years old and still in university when her body mysteriously started failing her. Her sudden diagnosis and multiple surgeries resulted in a forced move out of New York City and home to Iceland, along with a sober re-evaluation of almost every aspect of her life. How would she continue to produce creative work, much less survive in a capitalistic society that devalues and displaces disabled bodies?  Her “cheat sheet”, from which the artist book of the same name is adapted, is both a timeline and a (failed) resume, a litany of gore and the story of her young life; it is what she has prepared for the doctors and nurses who still cannot 100% confirm she has Chron’s disease.\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003ePublished by Hverdag Books\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 200\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSoftcover  \u003cbr\u003e104 pages\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e120 x 180 mm\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003eISBN\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e 9788293633181\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Hverdag Books","offers":[{"title":"Default Title","offer_id":46640845291851,"sku":"CSJH","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/julia-0-cover.jpg?v=1686741270"},{"product_id":"direct-into-chaos-aleen-solari","title":"Direct Into Chaos, Aleen Solari","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAleen Solari’s work is shaped profoundly by insights into various subcultures. 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In ghost written texts, Solari fictionalises her own \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eartistic biography, morphing interviews with football hooligans who had their phones \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003etapped by the police, into a dream world where they receive generous compensation for \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eyears lived under surveillance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn this publication – in a chaotic, dreamlike state of mind – fiction and documentation, art \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eand activism meld into something new.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by Montez Press\u003cbr\u003ePerfect Bound\u003cbr\u003e160 pages\u003cbr\u003e68 × 237 mm\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eISBN 9781916063488\u003c\/span\u003e\u003c\/p\u003e","brand":"Montez Press","offers":[{"title":"Default Title","offer_id":46691037184331,"sku":"DICAS01","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Direct_Into_Chaos_1_thumb_381073d8-caef-4204-9509-4f8851fa5e1f.jpg?v=1688392006"},{"product_id":"xviii-stories-of-tulca-1","title":"XVIII Stories of TULCA","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eXVIII Stories of TULCA is a new publication that marks the 18th anniversary of TULCA Festival of Visual Arts and documents its UnSelfing Programme for Galway 2020 European Capital of Culture.\u003c\/p\u003e\n\u003cp\u003eFor this new book, TULCA's past festival curators consider curating as a form of 'caring' in relation to their edition of the festival. Chairs from the board talk about the challenges of keeping Galway’s visual arts festival going and growing. What emerges is a portrait of an organisation committed to upholding curators’ and artists’ visions and tightly implicated in the city and county of Galway through board and team members, as well as numerous volunteers. This dive into TULCA lore is an occasion to revisit stories, remember others and discover many as well as to reflecting upon paths not taken. 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This book explores human migration in different times, contexts, and geographies surrounding the Aegean Sea. Through an assemblage of voices, lived experiences, historical documents, urban and rural dislocations, this publication examines responses to mobility of the ones on the move, and of the ones living in the destinations the former are heading to. It speaks of2 the sacrifices one is forced to make en route and at its antipode; the implications of voluntary migration to a place, steered by investment in real estate.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ekyklàda.press\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e96 Pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e102 x 162 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9789464202847\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"kyklàda.press","offers":[{"title":"Default Title","offer_id":46713214861643,"sku":"FMATAA01","price":13.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Screenshot2023-07-08at13.10.22.png?v=1688818234"},{"product_id":"public-health-in-crisis-confined-in-the-aegean-archipelago","title":"Public Health in Crisis: Confined in the Aegean Archipelago","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEpidemics and pandemics undermine societies and highlight the vulnerability of relations people have created to the land, other species, and each other. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book presents fragments of disease management in the Mediterranean from the 15th-century onwards and in the Aegean Archipelago in the last two centuries. From religious to medical approaches to the Bubonic Plague, through the creation of lazarettos, to the famine in occupied Syros, to ghost ships drifting on the Mediterranean: citizens are forced to avoid citizens. Public health in crisis: confinement versus mobility, awakening memories of totalitarian regimes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ekyklàda.press\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e96 Pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e102 x 162 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9789464202878\u003c\/span\u003e\u003c\/p\u003e","brand":"kyklàda.press","offers":[{"title":"Default Title","offer_id":46713704710475,"sku":"PHICCITAA01","price":13.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Screenshot2023-07-08at14.47.52.png?v=1688824221"},{"product_id":"free-love-paid-love-expressions-of-affection-in-mykonos","title":"Free Love Paid Love: Expressions of Affection in Mykonos","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNowhere in Cycladic culture has love been defined in a singular all-encompassing manner. Forces of attraction, affection, connection, and relation were ascribed in a plurality of ways. Through symposia in Delos, the tax haven of antiquity, 17th-century transactions of love involving pirates, slaves, and Mykonians; naturist communities reliving sexual freedom in the 1960-70s and 21st-century tourists quest in search of love, free or paid; this book gathers fragments of expressions of affection across Mykonos island. Mykonos has long defined itself as a self-ruling place far away from realities lived elsewhere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by \u003cmeta charset=\"utf-8\"\u003ekyklàda.press\u003cbr\u003eSoftcover\u003cbr\u003e96 Pages\u003cbr\u003e102 x 162 mm\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9789464202861\u003c\/span\u003e\u003c\/span\u003e \u003c\/p\u003e","brand":"kyklàda.press","offers":[{"title":"Default Title","offer_id":46713708544331,"sku":"FPLEOAIM01","price":13.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Screenshot2023-07-08at14.54.40.png?v=1688824489"},{"product_id":"ten-exhibits-sveinn-fannar-johannsson","title":"Ten Exhibits, Sveinn Fannar Jóhannsson","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTen Exhibits presents a body of work dealing with the relationship between language, image and location using the lingo of forensic photography. The project consists of evidence collected at exhibition openings combined with text excerpts from the galleries’ press releases. This artists book continues the tradition of publications from Multinational Enterprises addressing the juxtaposition between text and image, the sculptural potential of photography and how context and technology has a significant impact on content.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePublished by \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eMultinational Enterprises\u003cbr\u003e﻿\u003cmeta charset=\"utf-8\"\u003eFirst Edition\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSoftcover\u003cbr\u003e20 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e210 × 280 \u003c\/span\u003emm \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Multinational Enterprises","offers":[{"title":"Default Title","offer_id":46717220061515,"sku":"TESFJ01","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/TenExhibits_SveinnFannarJohannsson.jpg?v=1689263249"},{"product_id":"the-sculptural-imagination-of-seanie-barron-jon-wood","title":"The Sculptural Imagination of Seanie Barron, Jon Wood","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eSeanie Barron roams around his native Askeaton, looking for wooden branches left in a field or ditch, or growing in a bush. He then collects and shapes them into walking sticks. In this new collection, surreal forms and shapes of Barron’s making reference wasps, salmon, snakes, ice skaters and cocktail parties, along with his own experience of dressing as An Poc Ar Buile, an animistic figure featured in street parades and folk celebrations in West Limerick.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Sculptural Imagination of Seanie Barron\u003c\/em\u003e\u003cspan\u003e explores the uniqueness of Barron’s approach with an in-depth essay by curator Jon Wood, who writes, ‘Steeped in folklore, Barron’s walking sticks are neither curiosities, nor \u003c\/span\u003e\u003cem\u003eobjets d’art\u003c\/em\u003e\u003cspan\u003e, rather they are ritual objects. More necessary than necessities and more magisterial than luxuries, they are sculptural objects that glow and sing their mysterious songs in ways that continue to enchant and enthral.’\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCo-published with South Tipperary Arts Centre on the occasion of Seanie Barron’s exhibition from 24 February to 2 April 2022.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePublished by A.C.A Public \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eSoftcover\u003cbr\u003e48 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e300 × 207 mm\u003cbr\u003eISBN 9780995706262\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"A.C.A Public","offers":[{"title":"Default Title","offer_id":46723009347915,"sku":"TSIOSBJW01","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/TheSculpturalImaginationofSeanieBarron_JonWood01.png?v=1690822190"},{"product_id":"what-not-selected-artworks-and-ephemera-1975-96-john-carson","title":"what not – selected artworks and ephemera 1975–96, John Carson","description":"\u003cp\u003eThe outcome of an extensive archiving project began in 2019, this publication traces the activities of Northern Irish artist John Carson and his life and work in Belfast, Los Angeles, London and elsewhere for over twenty years.\u003c\/p\u003e\n\u003cp\u003eFeaturing a keynote essay by London-based critic and writer Chris Fite-Wassilak,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewhat not – selected artworks and ephemera 1975–96\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edetails aspects of Carson’s early and mid-career, and his enthusiastic endeavours to make a socially-orientated art, one encompassing strains of conceptual art, everyday life, the immersive role of popular culture, and a form of storytelling peppered with insightful wit and humour.\u003c\/p\u003e\n\u003cp\u003eBeginning with Carson’s studies in Belfast, documentation and previously unpublished material detail the making of fifteen artworks such as 1977’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHilltop Triangle\u003c\/em\u003e, where Carson enlists a local radio DJ to create telepathic contact between three friends. In\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMen of Ireland\u003c\/em\u003e, Carson’s durational performance examines male stereotypes found in the country in 1980, while\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAmerican Medley\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1981–85) embodies a tour to fifty locations in the United States famed in song. A transcription of 1987’s freewheeling\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOff Pat\u003c\/em\u003e, as presented in song, stories and images in London and elsewhere, prominently features.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePublished by A.C.A Public\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003eSoftcover\u003cbr\u003e144 pages\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e315 × 230 mm\u003cbr\u003eISBN 9780995706248\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"A.C.A Public","offers":[{"title":"Default Title","offer_id":46723029500235,"sku":"WNJC01","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/whatnot_selectedartworksandephemera1975_96_JohnCarson01.png?v=1691676888"},{"product_id":"culture-of-the-fuccboi-kandis-williams","title":"Culture of the Fuccboi: A Reader","description":"\u003cp\u003eFeaturing... Notebook scans, Romantic Webs, Suffering, Emotional Fields, Emotional Capital, Eva Illousz, Cold Intimacies: The Making of Emotional Capitalism, Virality and Promiscuity, Robert Payne, What Makes Online Content Viral? Jonah Berger and Katherine Milkman.\u003c\/p\u003e\n\u003cp\u003eCassandra Press was founded in 2016 by artist Kandis Williams as an independent publishing project. At its core, Cassandra Press examines tools of perception and racism, and their dominant role and expressions within current sociocultural systems. The press publishes lo-fi readers with texts by Black critical theorists, organises courses and produces artist zines and catalogues covering a broad range of topics that fuse questions of ethics, racial colonial violence, white supremacist delusion, and aesthetics.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCassandra Press\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e36 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e210 x 290 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Cassandra Press","offers":[{"title":"Default Title","offer_id":46725578162507,"sku":"COTFKW","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/ReaderontheCultureoftheFuccboi.png?v=1694272374"},{"product_id":"a-poc-a-poc-mora-ojea","title":"A poc a poc, Mora Ojea","description":"\u003cp\u003eThe exposed and elusive soul is the essence of these texts. To relish, little by little, following its music, without trying to understand, but understanding it all. ‘Why bother trying to understand if living transcends all understanding?’ Clarice would say. With that spirit, one is able to immerse themselves in their reading, which will surely captivate those who are looking for the inexpressible, this complex ‘it’ – the central point of the living – that dwells in us.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA poc a poc\u003c\/em\u003e is a collection of 13 short stories and poems written by Mora Ojea and paired by a few photographs. You can listen to the author reciting some of the stories in \u003ca href=\"https:\/\/open.spotify.com\/artist\/561un4E2RlHmfKp9RBFbx0?si=afEi0jNPSFmkAZdPAAq7Qg\"\u003emusic\u003c\/a\u003e. \u003cbr\u003e\u003cbr\u003ePublished by éditions pépé\u003cbr\u003eEdition of 150\u003cbr\u003eSoftcover\u003cbr\u003e84 pages\u003cbr\u003e100 x 210 mm\u003cbr\u003eISBN 97882957976324\u003c\/p\u003e","brand":"éditions pépé","offers":[{"title":"Default Title","offer_id":46749301080395,"sku":"APAPMO01","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Apocapoc_MoraOjea01.png?v=1690044156"},{"product_id":"worst-trip-ever-my-first-summer-in-the-sierra-by-john-muir-alan-butler","title":"'Worst Trip Ever: My First Summer In The Sierra' By John Muir, Alan Butler","description":"\u003cp\u003eRe-imagined as a series of 1-star trip advisor reviews, this publication revisits John Muir's seminal memoir My First Summer in the Sierra, the ecologist's selected diary entries from his journeys through the Yosemite region of California in 1869. The original text has been translated into a sequence of 'call the manager' style descriptions of nature by a so-called artificial intelligence algorithm. As such, this book is almost unreadable. Don't waste your money. Huge disappointment! \u003cbr\u003e\u003cbr\u003eSelf Published\u003cbr\u003eFirst Edition \u003cbr\u003eSoftcover \u003cbr\u003e188 pages \u003cbr\u003e135 × 215 mm \u003cbr\u003eISBN 9781739520007\u003c\/p\u003e\n\u003c!----\u003e","brand":"Self Published","offers":[{"title":"Default Title","offer_id":46854041633099,"sku":"WTEMFSITSBJMAB01","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/WorstTripEver_MyFirstSummerInTheSierra_ByJohnMuir_AlanButler_Cover_c14139de-bccf-4c5c-8fdf-7725799deb1f.webp?v=1732543450"},{"product_id":"got-damp-avril-corroon","title":"GOT DAMP, Avril Corroon","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product-short\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eGOT DAMP\u003c\/em\u003e was a project developed by artist Avril Corroon from research into living conditions as a galvanising issue for communities in exercising their political voice. At the heart of Corroon’s material enquiry was an ongoing exchange over 2 years with 55 households from London and Dublin who joined through opencall and via an invitation to members of the Community Action Tenants Union Ireland. Energy efficient dehumidifiers and support to manage damp was provided, whilst households contributed experiences, ideas and collected their damp as a material for an artwork. A total volume of 1800L in water was collected and gifted to the project which was then exhibited at TACO! and Project Arts Centre, Dublin in 2023, as part of an expansive installation which included an artist film.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eThe publication, \u003cem\u003eGOT DAMP\u003c\/em\u003e collates documentation of research, process, installation images, interviews, poetry and responses from writers, half of whom were project participants. Contributors include Mat Jenner, curator of artist-led space TACO! introduces \u003cem\u003eGOT DAMP\u003c\/em\u003e, its contexts and critical scope. Julian Bernard reflects on the project's process in relation to collective action, community and damp in their home. Chris Fite-Wassilak examines contradictions of modern living under the scope of rot and microbial terroir. Kirsten Cooke charts damps’ fluid coordinates through buildings and bodies. Daisy Lafarge presents a selection of poems ‘understudies for air’ and Eimear Murphy asks what reciprocity is. \u003cbr\u003e\u003cbr\u003eThis book was supported by Arts Council Ireland and Lottery funding through Arts Council England.\u003cbr\u003e\u003cbr\u003ePublished by TACO!\u003cbr\u003eSoftcover\u003cbr\u003e72 pages\u003cbr\u003e165 x 230 mm\u003cbr\u003eISBN 9781838279271\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"TACO!","offers":[{"title":"Default Title","offer_id":47347473711435,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/GOTDAMP_AvrilCorroon_Cover.webp?v=1706616850"},{"product_id":"enough-artists-and-writers-on-gendered-violence","title":"Enough: Artists and writers on gendered violence","description":"\u003cp class=\"p1\"\u003eThis publication was conceived on March 15, 2021, when more than one hundred thousand people marched across Australia in a series of March 4 Justice protests calling for gender equality and justice for victims of sexual assault. While these protests were motivated by anger at the lack of response by the Australian federal government to current and historic rape allegations, they were part a larger global movement that was gathering momentum. Edited by Vikki McInnes and designed by Kim Mumm Hansen, \u003ci\u003eEnough: Artists and writers on gendered violence\u003c\/i\u003e comprises creative responses to the issues highlighted in these protests. Responses are subjective, poetic, cathartic, and as fiercely political and deeply personal as the issues they address.\u003cbr\u003e\u003cbr\u003eWith contributions by: Anjella Roessler, Anna Ricciardi, Claire Bridge, Darcey Bella Arnold, Deborah Eddy, Freda Drakopoulos, Helen Grogan, Iona Mackenzie Cant, Isabelle Sully, Jordan Wood, Josephine Mead, Julie Vinci, June Miskell, Katie Paine, Katie Sfetkidis, Louise R Mayhew, Makeda Duong, Michelle Hamer, Natalie King, Natasha Rai, Nell, Nur Shkembi, Philipa Rothfield, Sandra Minchin-Delohery, Sophia Cai, Tina Stefanou, Wendy Catling, and Zoë Bastin.\u003cbr\u003e\u003cbr\u003ePublished by Perimeter Books \u003cbr\u003ePerimeter Editions x CoVA at the University of Melbourne \u003cbr\u003eSoftcover\u003cbr\u003e224 pages\u003cbr\u003e220 x 145 mm\u003cbr\u003eISBN 9781922545169\u003cbr\u003e\u003c\/p\u003e","brand":"Perimeter Books","offers":[{"title":"Default Title","offer_id":47444919157067,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Enough_Artistsandwritersongenderedviolence_Cover_347ae419-8afa-4bf5-8cb3-3c9acb9e281f.webp?v=1709045782"},{"product_id":"falscher-hase-mock-rabbit-jana-muller","title":"Falscher Hase\/Mock Rabbit, Jana Müller","description":"\u003cdiv class=\"col-xs-12 col-md-5 col-lg-5 left-panel\"\u003e\n\u003cdiv id=\"work-info\"\u003e\n\u003cdiv id=\"publisher-notes\"\u003e\n\u003cdiv data-language=\"en\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eJana Müller’s new artist book, \u003cem\u003eFalscher Hase\/Mock Rabbit\u003c\/em\u003e opens by shedding light on criminal investigations in the former German Democratic Republic (GDR), offering an artistic exploration of historical narratives and personal reflections and a contemporary journey to crime scenes on both sides of the world. Making use of her extensive online archive at \u003ca href=\"http:\/\/falscherhase.jana-mueller.de\"\u003ehttp:\/\/falscherhase.jana-mueller.de\u003c\/a\u003e, Müller delves into artistic discussions surrounding crime. \u003cbr\u003e\u003cbr\u003eAt the core of the research is Müller's 86-year-old father, a former police detective with first-hand experience in murder cases and espionage within socialist Germany. Despite the official denial of crime in the GDR, Müller's father shares insights from his past. \u003cem\u003eFalscher Hase\/Mock Rabbit\u003c\/em\u003e places conversations between the artist and her father - accompanied by photographic documentation and textual fragments from Müller's childhood memories - alongside historical documents sourced from various archives. The visual narrative unfolds through a selection of images, ranging from archival evidence and familial artefacts to crime scene photographs. \u003cbr\u003e\u003cbr\u003ePhoto theorist Mira Anneli Naß contributes an analysis, examining parallels in media representations of crimes throughout the history of the two German states, compared with Müller's photo-forensic-artistic approach. \u003cbr\u003e\u003cbr\u003eTaking reference from the stacked files within which Müller conducted her research, the book's format makes use of papers of varying colours and sizes to reflect different categories of text.\u003cbr\u003e\u003cbr\u003ePublished by Monroe Books\u003cbr\u003eSoftcover\u003cbr\u003e72 pages\u003cbr\u003e233 × 330 mm\u003cbr\u003eISBN 9783946950165\u003c\/p\u003e","brand":"Monroe Books","offers":[{"title":"Default Title","offer_id":47538492506443,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/FalscherHase_MockRabbit_JanaMuller_Cover.webp?v=1710947282"},{"product_id":"trophy-lives-philippa-snow","title":"Trophy Lives, Philippa Snow","description":"\u003cp class=\"p1\"\u003eWe know that celebrities can make great muses: think of the work of Richard Phillips, who has painted an entire series of works inspired by Lindsay Lohan, Robert Pattinson, and Miley Cyrus, or of Urs Fischer, who recently showed a life-sized candle in the shape of Leonardo DiCaprio. Notoriously, the art collector Peter Brant commissioned the wickedly satirical Italian American artist Maurizio Cattelan to make a sculpture of his wife, the supermodel Stephanie Seymour. The work was technically called \u003ci\u003eStephanie\u003c\/i\u003e, but became known in the industry as ‘Trophy Wife’. With the sculpture valued at 1.5 million dollars, while Seymour herself is purportedly worth one hundred million dollars, you might be tempted to wonder which has the claim to be the ‘better’ work of art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn this illustrated essay, critic Philippa Snow asks whether all great, or iconic, celebrities can be considered technically self-authored artworks in and of themselves. Drawing on a wide range of cultural references from the past two decades, she proposes that increasingly – as celebrities’ private lives become more visible and thus more art-directed – celebrity itself can be a medium for contemporary art, a form of mythmaking and image-making that is every bit as complex, conceptual, and compelling as the work of a traditional artist.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by MACK books\u003cbr\u003ePaperback\u003cbr\u003e125 x 195 mm\u003cbr\u003e104 pages\u003cbr\u003eSBN 9781915743121\u003c\/p\u003e","brand":"MACK Books","offers":[{"title":"Default Title","offer_id":47657861054795,"sku":"","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/TrophyLives_PhilippaSnow_Cover.webp?v=1778247324"},{"product_id":"paper-visual-art-journal-volume-16","title":"Paper Visual Art Journal, Volume 16","description":"\u003cp\u003eIn choosing to focus this edition of \u003cem\u003ePaper Visual Art Journal\u003c\/em\u003e – PVA 16 – on Berlin, PVA are continuing a series of city-specific editions, following on from those that focused on Dublin, Cork, and Limerick.\u003cbr\u003e\u003cbr\u003ePVA have done so partly because of their long-standing connection to the city. Their editorial staff is split between Dublin and Berlin, and they were interested in exploring the relationships between these places, decades after the emergence of Berlin as a destination for visual artists. PVA wanted to take a look at the current conditions of a city that was for many years seen to be affordable and supportive of visual-art practices. Over the last twelve months, this survey has become more politically focussed than anticipated. Aspects of German politics and policing have come to the fore in this time, contributing to a sense among artists that Berlin is not quite the utopia it was once considered to be.\u003cbr\u003e\u003cbr\u003eThe contributions collected here reflect on art, architecture, and culture in Berlin, unearthing aspects of its history, its connections to colonialism, its legacy as a divided city, and its relationship to its artists today.\u003cbr\u003e\u003cbr\u003eWith contributions from Laurence Counihan, Mark Curran, Adrian Duncan, Andy Fitz, Aingeala Flannery, Marcel Krueger, Sabrina Mandanici, Rebecca O’Dwyer, Doireann O’Malley, Sue Rainsford, Rory Rowan, and Daniel Seiffert.\u003c\/p\u003e\n\u003cp\u003ePublished by Paper Visual Art\u003cbr\u003eSoftcover\u003cbr\u003e88 pages\u003cbr\u003e240 x 190 mm\u003cbr\u003eISBN 977256563704516\u003c\/p\u003e","brand":"Paper Visual Art","offers":[{"title":"Default Title","offer_id":50761911304523,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/PVA_Journal_ISSUE_16_Cover-1-1583x2048.jpg?v=1730825674"},{"product_id":"shaved-rapunzel-scheherazade-the-shearling-ram-from-arcady-orla-barry","title":"Shaved Rapunzel, Scheherazade \u0026 the Shearling Ram from Arcady, Orla Barry","description":"\u003cp class=\"p1\"\u003eDeeply rooted in a form of artistic 'barefoot anthropology' 'Shaved Rapunzel, Scheherazade \u0026amp; the Shearling Ram from Arcady' reflects both on the culture of disconnection from the natural environment and the boundaries of art, gender and the rural everyday. It recounts the experiences of artist Orla Barry who has left the city and returned to her roots to be reborn as a hybrid: a farmer-artist.\u003cbr\u003e\u003cbr\u003eIn this collection, the idea of approaching language as malleable material comes from the rehearsal room. It is an aspect of orality always to the fore in Barry's writing. In fact, this is not a book: it is a performance. \u003cbr\u003e\u003cbr\u003eAll of Orla Barry's writing comes from physical action of one kind or another. It's art in the doing, literally research in the field. For Barry, combining agriculture and culture is an ongoing activity that creates vocabularies, tones and formal shape-making in her work.\u003cbr\u003e\u003cbr\u003eThe result is a universe of Mafia Shepherds, Pawn Shepherds and Sophisticated Shepherds; of red lipstick, husbandry, profanity and animal dramas; of reincarnated sheep, aesthetic sheep, sick sheep and black sheep; of placentas, sexual desire, gender, shit-tanks and adoption units. Of buying, selling, slaughtering and loving.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe book contains the texts from two of Orla Barry's major performance works, 'Breaking Rainbows' (2016) and 'SPIN, SPIN, SCHEHERZADE' (2019) and the 'Meanest of the Flock, An Abcdery of Sheep' by Lisa Godson. Design by LuteceMauger (FR).\u003cbr\u003e\u003cbr\u003ePublished by Mu.ZEE Ostend \u0026amp; Wexford Arts Centre\u2028\u003cbr\u003eSoftcover\u2028\u003cbr\u003e176 pages\u003cbr\u003e125 mm x 198 mm\u003c\/p\u003e","brand":"Mu.Zee \u0026 Wexford Arts Centre","offers":[{"title":"Default Title","offer_id":50843464008011,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/ORLABARRYCOVER.webp?v=1731691220"},{"product_id":"curating-ecologies-on-architecture-patricia-coelho","title":"Curating Ecologies on Architecture, Patrícia Coelho","description":"\u003cdiv class=\"l-tabs--left\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThroughout their history, architecture exhibitions have embraced different approaches and constructed other modes of action within the discipline, playing a pivotal role in disseminating, diffusing, and experimenting with architectural culture. This volume looks at curatorial practice in architecture and how ecological issues are addressed in the context of curatorial thinking and exhibition-making. Five architects with a curatorial practice are interviewed (Paola Antonelli, Pedro Gadanho, Paula Nascimento, Maria Otero Verzier, and Paulo Tavares), all of whom contribute to current debates in architecture while exploring how to perceive the main challenges of our world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePublished by Dpr-barcelona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eS\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003eoftcover\u003cbr\u003e118 pages\u003cbr\u003e180 x 110 mm\u003cbr\u003eISBN 9788412892208\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Irish Architecture Foundation","offers":[{"title":"Default Title","offer_id":51102909956427,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/curatingecologies.webp?v=1736944942"},{"product_id":"the-lives-of-images-vol-1-repetition-reproduction-and-circulation","title":"The Lives of Images, Vol. 1: Repetition, Reproduction, and Circulation","description":"\u003cp\u003eThe Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and “lives” of images—their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times.\u003c\/p\u003e\n\u003cp\u003eVolume 1 of the series, Repetition, Reproduction, and Circulation, addresses the multiple life cycles of the image—its modes of dispersion, reception, consumption, and aggregation—and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered as both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, and Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.   Contributions by Giorgio Agamben, Kate Palmer Albers, Erika Balsom, Aria Dean, Jodi Dean, Cora Gilroy-Ware, Boris Groys, Miriam Bratu Hansen, Rabih Mroué, and Hito Steyerl\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFirst Edition, 2021\u003cbr\u003eSoftcover \u003cbr\u003e284 pages \u003cbr\u003e125 × 180 mm\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":51186864554315,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/TheLivesofImagesVol1.webp?v=1738336526"},{"product_id":"the-lives-of-images-vol-2-analogy-attunement-and-attention","title":"The Lives of Images, Vol. 2: Analogy, Attunement, and Attention","description":"\u003cp\u003eThe Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and “lives” of images—their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times. \u003c\/p\u003e\n\u003cp\u003eVolume 2 in this series, Analogy, Attunement, and Attention, addresses the complex relationships that the reproducible image creates with its viewers, their bodies, their minds, and their sense of the physical and metaphysical world. The selection addresses the image’s role in the social constitution of individual and collective identity, in social practices of resistance to the structural violences of racism, or in relation to state exercises of power. Of particular importance in this volume are questions of our changing relationship to space and to selfhood as mediated by the image and by the many networked technologies and norms built around it. Essays in the volume ask: what modes of attention are required of us as viewers and agents of image circulation? The question of how image technologies provide us with an array of freedoms is here combined with and read against the many ways images are deployed to reorient, repress, or reduce our field of vision—thus affecting our capacity to see and to act in social space.\u003c\/p\u003e\n\u003cp\u003eContributions by Victor Burgin, Judith Butler, Tina Campt, Sarah Jane Cervenak, Harun Farocki, Tom Holert, Thomas Keenan, Rabih Mroué, Vivian Sobchack, and Tiziana Terranova\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFirst Edition, 2021\u003cbr\u003eSoftcover \u003cbr\u003e328 pages \u003cbr\u003e125 × 180 mm\u003c\/p\u003e","brand":"Aperture Foundation","offers":[{"title":"Default Title","offer_id":51210854039883,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/9781597115070.webp?v=1738338805"},{"product_id":"the-shepherds-progress-orla-barry","title":"The Shepherd's Progress, Orla Barry","description":"\u003cp class=\"p1\"\u003eConceived and imagined in close collaboration with Orla Barry on the occasion of her exhibition at MACS, \u003ci\u003eThe Shepherd's Progress\u003c\/i\u003e brings together a majority of the works (texts, installations, performances) produced by the artist since she returned to live in her native Ireland.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis work testifies to the links that Orla Barry forges between her career as an artist and that of a shepherd.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIts form is a tribute to Lucy Lippard's book \u003ci\u003eEva Hesse\u003c\/i\u003e (New York University Press, 1976) – whose exact form and dimensions it reproduces – and which has nourished her throughout her artistic life.\u003cbr\u003e\u003cbr\u003eAuthor(s): Orla Barry, Sebastian Cichocki, Ciara Healy, Eva Wittocx, Denis Gielen\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by MACS\/ Musée des Arts Contemporains au Grand-Hornu\u003cbr\u003eSoftcover\u003cbr\u003e148 pages\u003cbr\u003e80 illustrations\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eBilingual, French-English\u003cbr\u003e280 x 180 mm\u003cbr\u003eISBN 9782930368870\u003c\/p\u003e","brand":"MACS\/ Musée des Arts Contemporains au Grand-Hornu","offers":[{"title":"Default Title","offer_id":51647853461835,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/macs_-_catalogue_-_orla_barry_-_the_shepherds_progress.jpg?v=1744721032"},{"product_id":"abandoned-prose-nathan-odonnell","title":"Abandoned Prose, Nathan O'Donnell","description":"\u003cp\u003eAbandoned Prose is a publication with texts by Nathan O’Donnell and design by Clare\u2028Bell. It is the outcome of a Samuel Beckett Creative Fellowship at Trinity College Dublin,\u2028part of a series of fellowships organised between Trinity and the Samuel Beckett\u2028Research Centre, Reading University, that facilitate artists to respond to Beckett’s\u2028archives.\u003c\/p\u003e\n\u003cp\u003eIncluded in the Samuel Beckett Collection at Trinity College Dublin is a faded l’Aigle-\u2028brand notebook (catalogue reference: TCD MS 4662) with a small accompanying index\u2028card that categorises its contents according to the following four sections: ‘abandoned\u2028theatre \/ abandoned prose \/ Fragments of translation of Malone meurt \/ Epistolary\u2028scraps’. Having counted the number of lines per page, allowing an average word count\u2028per line, and factoring in the many scrawled deletions and blacked-out lines and\u2028sections, the section of ‘abandoned prose’ has been calculated to come to a total of 2503 words.\u003c\/p\u003e\n\u003cp\u003eThis is also the total number of words reproduced in this book, the text of which is\u2028composed of extracts and fragments of prose from old projects – essays, short stories,\u2028scripts, books – that had previously been, for whatever reason, shelved. For this\u2028publication, these prose extracts have simply been added to one another until the word\u2028count was reached.\u003c\/p\u003e\n\u003cp\u003eSoftcover\u003cbr\u003e32 pages\u003cbr\u003e145 × 210 mm\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Nathan O'Donnell","offers":[{"title":"Default Title","offer_id":51668642693451,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/IMG_0251.heic?v=1761055606"},{"product_id":"tuberclerosies-kevin-mooney","title":"Tuberclerosies, Kevin Mooney","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e𝑻𝒖𝒃𝒆𝒓𝒄𝒍𝒆𝒓𝒐𝒔𝒊𝒆𝒔 is \u003c\/span\u003ea casebound publication showcasing Kevin Mooney’s most recent series of works commissioned by and exhibited in Luan Gallery. \u003cem\u003eTuberclerosies\u003c\/em\u003e includes a curatorial essay by Aoife Banks, curator of Luan Gallery, alongside an insightful essay contribution from Dr. Edwin Coomasaru.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKevin Mooney is an Irish artist based in Sample Studios, Cork. Informed by mythology, history, and cultural migration, his work explores a speculative art history of the Irish diaspora. Recent exhibitions include Revenants, Irish Museum of Modern Art, 2022, (solo), Mutators, MART Gallery, Dublin, 2022, (and also St Luke's Crypt, Cork 2022,) (solo),\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ePines Eye, Talbot Rice Gallery, Edinburgh, 2020, EVA International, Limerick, 2018, The Law Is a White Dog, Tulca Festival, Galway, 2020, The Erlish Tide, Excel Gallery, Tipperary, (solo), Fragments of San Borondon, Triskel Arts Centre,\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e2019, (Solo),\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eEverything Is In Everything, Sirius Arts Centre, Cobh, 2019, Apparition, Sternview Gallery, 2018, (Solo), Seeing Things, Artbox Projects, Dublin, 2017,(Solo), Twilight Head Cult, Ormston House, Limerick, 2016, (Solo), What Is and What Might Be, Highlanes Gallery, Drogheda, 2015, Making Familiar, Temple Bar Gallery, Dublin, 2012, and Wave, Pallas Projects,\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e2014, (Solo).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKevin graduated with an MFA from NCAD in 2012. Since then, he has received several Visual Arts Bursaries from the Arts Council. His work is held in various private and public collections in Ireland and abroad, including Highlanes Gallery, Drogheda, the Arts Council of Ireland, the OPW, and Galway City Council. His solo exhibition, The Erlish Tide, the Excel Gallery, Tipperary, 2021, was supported by an Arts Council Commissions Award.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLuan Gallery, the municipal gallery for Westmeath, is operated by Athlone Arts \u0026amp; Tourism. Its mission is to facilitate diverse, engaging, and accessible contemporary visual art exhibitions and outreach programmes and grow public access, participation, and engagement in the visual arts locally, regionally, and nationally.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThe gallery places visual arts, cultural diversity, and social inclusion at the heart of its activity. It nurtures engagement between the visual arts and communities of interest and has hosted 82 exhibitions featuring over 1,000 artists and welcomed 144,525 visitors to date.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by Luan Gallery\u003cbr\u003eEdition of 200\u003cbr\u003eHardcover\u003cbr\u003e72 pages \u003cbr\u003e220 x 290 mm\u003cbr\u003eISBN 9781836543930\u003c\/p\u003e","brand":"Luan Gallery","offers":[{"title":"Default Title","offer_id":51776907182411,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Tuberclerosies_cover.webp?v=1746532605"},{"product_id":"the-people-s-shed-a-collaborative-art-project-evelyn-broderick-and-a-radical-imagination-residency","title":"The People’s Shed: a collaborative art project, Evelyn Broderick and A Radical Imagination Residency","description":"\u003cp class=\"p1\"\u003eThe People’s Shed is a reflection of artist, Evelyn Broderick’s, residency at studio 468 ‘A Radical Imagination’ and her collaborative arts project. This publication reflects on Evelyn’s pedagogical arts practice informed by her traditional music background with essays written by Dr. Emma Mahoney, NCAD and Dr. Aoife Granville, UCC. A Radical Imagination 2022-2024 was a community based residency awarded by Common Ground that built on The Just City Counter Narrative Neighbourhood award 2020-2022. A Radical Imagination offered collaborative or socially engaged artists\/arts collective community partners an opportunity to be based in Dublin. The timing of the award also marked when Dublin 8, the area in which Common Ground works and is located, experienced multiple changes to its urban and social fabric. studio 468 is programmed by Common Ground in partnership with the Rialto Development Association since 1999. Common Ground is funded by to support artists from the Arts Council and Dublin City Council.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCommon Ground is a celebrated locally based arts organisation in the heart of a historic and ever-changing area in the south west inner city of Dublin. 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One part is an interactive Prompt Book designed to explore, thoroughly experience, and actively engage with physical environments. The other part is a collection of images created by using the Prompt Book, accompanied by texts that critically examine topics such as walking, navigation, perception, and media. With its interwoven content, Moving Through Images addresses questions such as: What are the relationships between what we see and perceive in our physical surroundings and how they are depicted? Is a place perceived differently in its physical form compared to its visual reproductions or simulations?\u003c\/p\u003e\n\u003cp\u003eBrowsing through a book’s pages is analogous to moving through the streets of a city. One always has only a section of a larger entity in front of one’s eyes—the street through which one is currently moving, a sentence, a paragraph, or a page that one is reading. The often seemingly random connections and correlations between individual fragments and situations must always be discovered first.\u003c\/p\u003e\n\u003cp\u003eConcept, design, editor: David Gallo\u003c\/p\u003e\n\u003cp\u003eAuthors: Jean Baudrillard, Raphael Besenbäck, Jorge Luis Borges, Guy Debord, David Gallo, Carmen Lael Hines, Nadine Monem\u003c\/p\u003e\n\u003cp\u003eMoving Through Images was shortlisted\u003cspan\u003e for “Austria’s Most Beautiful Books of 2025” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublished by Verlag Bibliothek der Provinz\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSoftcover\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e320 pages (main book; numerous illustrations, softcover in sewn binding with open spine) \/ 168 pages (prompt book; folded, can be tied with elastic band + cord)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e100 x 200 mm (main book) \/ 100 x 200 mm (prompt book)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN 9783991263401\u003c\/span\u003e\u003c\/p\u003e","brand":"Verlag Bibliothek der Provinz","offers":[{"title":"Default Title","offer_id":52027711521099,"sku":null,"price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/01_MTI_David_Gallo_Covers.jpg?v=1761054380"},{"product_id":"how-we-got-to-golden-thread-gallery","title":"How We Got To, Golden Thread Gallery","description":"\u003cp\u003eWith beautiful colour images and a chronology of 25 years of contemporary art exhibitions in Belfast, this new book is a very special insight and illumination of the Golden Thread Gallery’s story… or at least, one key perspective on their story so far. Gallery Co-Director and author of the book Peter Richards says:\u003cbr\u003e\u003cbr\u003e“How we got to… sets out to bring you with us on a journey through the Golden Thread Gallery’s histories, from our beginnings on the Crumlin Road in 1998, all the way to our latest iteration in our new home at the heart of Belfast. Our experience of the ways that shadows from history extend into the present has informed how we create opportunities for all of us to reflect on the past, reconsider the present, and reimagine the future. 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With his team at Gerry Cahill Architects (GCA), and key collaborators such as Bernard Thompson of the National Association of Building Cooperatives and Sr Stanislaus Kennedy of the Focus Housing Association, Cahill provided thousands of high-quality homes, many of which were for vulnerable groups, had low budgets, and were on sites considered ‘undevelopable’. GCA also designed highly insulated, cheap-to-heat buildings and worked with existing structures long before either of those practices were commonplace. Cahill’s projects – even those from thirty, forty years ago – remain relevant to contemporary Ireland, with its deepening housing crisis, widespread dereliction, and rapidly changing physical identity. Through his teaching at UCD, Gerry Cahill influenced the work and lives of hundreds of architects practising in Ireland and elsewhere.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe work of GCA has, until now, been under-published. 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Through case studies and narrations, in different times and geographies surrounding the Aegean Sea, this book amplifies the echoes of collective tears to invigorate contemporary mourning practices that claim public space by grief, rage, and affect.\u003cbr\u003e\u003cbr\u003eContributions by Lydia Xynogala, Marios Chatziprokopiou, David Bergé, Liwaa Yazji, Eliana Otta, Debra Levine\u003cbr\u003e\u003cbr\u003eEdited by Sofia Grigoriadou, Eliana Otto, David Bergé\u003c\/p\u003e\n\u003cp\u003ePublished by \u003cmeta charset=\"utf-8\"\u003ekyklàda.press\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e83 Pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e105 x 165 mm\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN \u003cmeta charset=\"utf-8\"\u003e9789464772616\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"kyklàda.press","offers":[{"title":"Default Title","offer_id":53480348451147,"sku":"ULCEOPRAA","price":13.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/UrbanLament_Cover.webp?v=1758886400"},{"product_id":"islands-of-exile-hemmed-in-by-the-sea","title":"Islands of Exile: Hemmed in by the Sea","description":"\u003cp\u003eSurrounded by unyielding waters, islands have long served as ideal sites of banishment: places where those deemed unfit to exist within the political order, are cast away. 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These stories contribute to imagining a different kind of mobility.\u003cbr\u003e\u003cbr\u003eContributions by Camille Pradon, Christos Papamichael, Menelaos Karamaghiolis, Jasbir Puar, Tom Nóbrega, Shuruq Harb, Lydia Xynogala, Andrea Applebee\u003cbr\u003e\u003cbr\u003eEdited by Federica Bueti, David Bergé\u003c\/p\u003e\n\u003cp\u003ePublished by \u003cmeta charset=\"utf-8\"\u003ekyklàda.press\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e84 Pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e105 x 165 mm\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eISBN \u003cmeta charset=\"utf-8\"\u003e9789464772661\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"kyklàda.press","offers":[{"title":"Default Title","offer_id":53480370536779,"sku":"MPADKOM","price":13.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/MachineParalysis_Cover.webp?v=1758887549"},{"product_id":"tokens-the-future-of-money-in-the-age-of-the-platform-rachel-odwyer","title":"Tokens: The Future of Money in the Age of the Platform, Rachel O'Dwyer","description":"\u003cp\u003e\u003cb\u003eThe essential guide to this new landscape of NFTs, Web3, Crypto and DAOs and a warning of the political consequences of what happens when platform capitalism comes for the money in your pocket.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003cb\u003eLonglisted for the\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003ci\u003e\u003cb\u003eFT\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eSchroders Business Book of the Year Award 2023 -\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/u\u003e\u003cu\u003e\u003cb\u003eA BEST BOOK OF THE YEAR:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGQ\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLos Angeles Times\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWired\u003c\/i\u003e\u003c\/b\u003e\u003c\/u\u003e\u003cbr\u003e\u003cbr\u003eWherever you look, money is being re- placed by tokens. Digital platforms are issuing new kinds of money-like things: phone credit, shares, gift vouchers, game tokens, customer data—the list goes on. But what does it mean when online platforms become the new banks? What new types of control and discrimination emerge when money is tied to specific apps or actions, politics or identities?\u003cbr\u003e\u003cbr\u003e\u003ci\u003eTokens\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eopens up this new and expanding world. Exploring the history of extra- monetary economies, Rachel O’Dwyer shows that private and grassroots tokens have always haunted the real economy. But as the large tech platforms issue new money-like instruments, tokens are suddenly everywhere. Amazon’s Turk workers are getting paid in gift cards. Online streamers trade in wishlists. Foreign remittances are sent via phone credit. Bitcoin, gift cards, NFTs, customer data, and game tokens are the new money in an evolving economy. 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But for the platforms them- selves they can be a means of amassing frightening new powers.\u003cbr\u003e\u003cbr\u003eAn essential read for anyone concerned with digital money, inequality, and the future of the economy.\u003c\/p\u003e\n\u003cdiv class=\"edition-single--book-description\"\u003e\n\u003cp\u003ePublished by Verso\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e332 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e129 x 198 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN \u003cmeta charset=\"utf-8\"\u003e9781839768378\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":53643473355083,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/Shoppable-Product-Images14.png?v=1767196638"},{"product_id":"amateurs-how-we-built-internet-culture-and-why-it-matters-joanna-walsh","title":"Amateurs!: How We Built Internet Culture and Why it Matters, Joanna Walsh","description":"\u003cp\u003e\u003cb\u003eThe story of how\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eyou\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ecreated internet culture and why it matters\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSince the nineties, platforms have invited users to create in return for connection. From blogs to vlogs, tweets to memes: for the first time in history, making art became the fundamental form of communication.\u003cbr\u003e\u003cbr\u003eWhat started as fun soon became currency, something vital to finding friends, work, and love. Then, as ‘meatspace’ job security eroded, online creativity became work itself. Now an internet presence is no longer optional, platforms increasingly charge users. Whatever it is we’re creating online, it isn’t amateur anymore. But is it art?\u003cbr\u003e\u003cbr\u003eIn this scintillating philosophical history of the internet, Joanna Walsh, author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGirl Online\u003c\/i\u003e, examines how and why creativity became the price of digital existence.\u003c\/p\u003e\n\u003cdiv class=\"edition-single--book-description\"\u003e\n\u003cp\u003ePublished by Verso\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e262 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e129 x 198 mm\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN \u003cmeta charset=\"utf-8\"\u003e9781839765391\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":53643484332363,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/files\/G1sWtX0XcAAIGQS.jpg?v=1760718853"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2538\/3478\/collections\/LookingforaSign-110x175mm-Covers-Final_1e5fd234-a9c2-4fe3-ae3c-808d73e67c51.webp?v=1793042883","url":"https:\/\/www.thelibraryproject.ie\/collections\/art-critical-theory.oembed","provider":"The Library Project","version":"1.0","type":"link"}